When I first bought this book, I was expecting more of a typical Robbie-centric book about how it was like to be a "mega-civilian," but I was pleasantly surprised.
"Somebody Someday" follows Robbie Williams throughout his "Sermon on the Mount" tour. And while there is a lot about Robbie and his problems, both personal and professional, Mark McCrum also spent time covering each of the band members, from music director/keyboardist Guy Chambers to back-up singer Tessa Niles. Not only do we get to learn about their backgrounds, but also how and when they each got involved with Robbie. Best of all, whenever he can, McCrum uses their own quotes rather than his own words describe everything.
We learn everything from how the stage is put up to what Liz Berry the lighting designer does. McCrum also shows the variations between concerts, what Robbie does to keep each concert fresh. The book gives us a glimpse at waht happens after the concert, where the stars go after a gig and who stays behind to take everthing apart.
What I'm trying to say is that this makes for an interesting look into the life of a international star. The only thing that really detracts from the content is some glaring chapter-heading errors and the absurd amount of Robbie pictures in the book. B
Friday, December 31, 2004
Wednesday, December 29, 2004
Warren Ellis Reviews
Ultimate Nightmare #4 of 5:
The mini-series is finally picking up after a slow start as members of the Ultimates and X-Men separately search an abandoned Russian facility filled with freakish abominations. This issue explains some of the origins of the base as well as add some healthy doses of action.
This is the best written issue yet by Ellis, adding more horror elements, like the "Anti-Cap," so we can really get into the NIGHTMARE part of the story. I don't know why Trevor Hairsine needed an issue off, but his art seems to have improved since issue 2, thought this may because of the legion of inkers for the issue. B
Ultimate Fantastic Four #14:
I'm really enjoying this new storyline, in which the teenager Reed Richards wants to travel into the Negative Zone (now dubbed the N-Zone) in hopes of finding a cure for Ben and the others. Ellis is getting to the heart of the FF: exploration, not to mention work a little of his own sci-fi stuff into it. I'm anxious to see how Ellis will visualize the N-Zone. There's of course Adam Kubert's art which is flawless as usual. B
Iron Man #2
Tony Stark and Maya go see an old friend and learn that the man infected with the Extremis has massacred the officers in a FBI building in Texas. I somehow don't mind that the Iron Man suit isn't in this issue. Ellis' Stark makes for a very interesting character, since both he and Maya have the ability to literally shape the future given their fields in medicine and technology. But all this plot and talking may put off some of the readers, though there's enough gruesome violence in this issue to satisfy the Authority fans. And is me or does Adi Granov's Stark look a little like Tom Cruise? A-
My favorite series so far is Iron Man. Ultimate Nightmare is interesting, but doesn't have much depth. Ultimate FF can get annoying because they're all teenagers. (The FF is supposed to be a family, not a gang of teens.) I also really enjoy Ellis' sci-fi mini-series Ocean, which I should be writing about.
The mini-series is finally picking up after a slow start as members of the Ultimates and X-Men separately search an abandoned Russian facility filled with freakish abominations. This issue explains some of the origins of the base as well as add some healthy doses of action.
This is the best written issue yet by Ellis, adding more horror elements, like the "Anti-Cap," so we can really get into the NIGHTMARE part of the story. I don't know why Trevor Hairsine needed an issue off, but his art seems to have improved since issue 2, thought this may because of the legion of inkers for the issue. B
Ultimate Fantastic Four #14:
I'm really enjoying this new storyline, in which the teenager Reed Richards wants to travel into the Negative Zone (now dubbed the N-Zone) in hopes of finding a cure for Ben and the others. Ellis is getting to the heart of the FF: exploration, not to mention work a little of his own sci-fi stuff into it. I'm anxious to see how Ellis will visualize the N-Zone. There's of course Adam Kubert's art which is flawless as usual. B
Iron Man #2
Tony Stark and Maya go see an old friend and learn that the man infected with the Extremis has massacred the officers in a FBI building in Texas. I somehow don't mind that the Iron Man suit isn't in this issue. Ellis' Stark makes for a very interesting character, since both he and Maya have the ability to literally shape the future given their fields in medicine and technology. But all this plot and talking may put off some of the readers, though there's enough gruesome violence in this issue to satisfy the Authority fans. And is me or does Adi Granov's Stark look a little like Tom Cruise? A-
My favorite series so far is Iron Man. Ultimate Nightmare is interesting, but doesn't have much depth. Ultimate FF can get annoying because they're all teenagers. (The FF is supposed to be a family, not a gang of teens.) I also really enjoy Ellis' sci-fi mini-series Ocean, which I should be writing about.
Sunday, December 26, 2004
Merry Christmas
It's been a busy week, what with jury duty, an interview, and no electricity for a whole day. But somehow I made it to Christmas. I'm just glad that I've already finished Chapter 10 last weekend, before all of this nonsense started...
I hoped that you've taken a little time yesterday, or even today, to consider all that you should be thankful for. There are some people in Ohio that didn't have electricity on Christmas day, and all too often we don't appreciate everything we have until we lose it.
Anyway, sermon's over. I'm still working on more of Zoey's profile, and that Ultraman Nexus OST review. (Like people really care.) GITS 2 Innocence DVD is coming out this week so I'll finaly get to see if the sequel's any good.
Happy Boxing Day everyone!
I hoped that you've taken a little time yesterday, or even today, to consider all that you should be thankful for. There are some people in Ohio that didn't have electricity on Christmas day, and all too often we don't appreciate everything we have until we lose it.
Anyway, sermon's over. I'm still working on more of Zoey's profile, and that Ultraman Nexus OST review. (Like people really care.) GITS 2 Innocence DVD is coming out this week so I'll finaly get to see if the sequel's any good.
Happy Boxing Day everyone!
Tuesday, December 21, 2004
Manga Review: Ranma 1/2 Vol 27
Okay, I'll admit that I have a certain bias towards Rumiko Takahashi, being that I think she's one of the most creative people in Japan. That being said:
This book is the 27th volume in the Ranma 1/2 series. The story is about poor Ranma, cursed to change into a woman's body every time cold water is poured on him, and only hot water will change him back. Then, there's all of those women wanting to be his fiance, like Shampoo (who turns into a cat when splashed with cold water.)
This volume collects three major stories. The first is the "Terror of the Phoenix Sword" where rival Kuno purchases an egg of a Phoenix, which ends up landing on his head, thus hatching the egg, producing one of the most silliest looking creatures I've ever seen. The "bird" first sees Ranma and believes him to be its mortal enemy. So, it pecks at Ranma's head, day and night, while still perched on Kuno's head.
The second major story involves twins, Link and Pink, who are looking for revenge against the Chinese Amazonian, Shampoo, who currently works at a restaurant with her (great?) grandmother. Ranma also becomes a target since Shampoo told her Amazon newsletter that they were married. Then, there's "Evil and the Bean," a mini-story about a pesky demon that possesses different characters with a Lum reference to boot!
The third story focuses on thrifty Nibiki who is challenged by Kinnosuke, whose "lifestyle-fu is based on financial parasitism." The two of them go on outrageous dates, trying to get the other to pay for everything. Ranma and Akane are forced to tag along to make sure that Nibiki doesn't drive the family too far in debt...
While I'm a big fan of the series, I can honestly say that I probably don't even have half the series, but this volume is one of the better ones definately. With some of the more strange elements, like the puppet butler, to the more hilarious, the "Phoenix," Takahashi proves that even on volume 27 she can still write great stories.
I enjoyed each of the stories and all of the funny twists along the way, and it was nice that more supporting characters like Nibiki get their own stories every once and awhile. B+
This book is the 27th volume in the Ranma 1/2 series. The story is about poor Ranma, cursed to change into a woman's body every time cold water is poured on him, and only hot water will change him back. Then, there's all of those women wanting to be his fiance, like Shampoo (who turns into a cat when splashed with cold water.)
This volume collects three major stories. The first is the "Terror of the Phoenix Sword" where rival Kuno purchases an egg of a Phoenix, which ends up landing on his head, thus hatching the egg, producing one of the most silliest looking creatures I've ever seen. The "bird" first sees Ranma and believes him to be its mortal enemy. So, it pecks at Ranma's head, day and night, while still perched on Kuno's head.
The second major story involves twins, Link and Pink, who are looking for revenge against the Chinese Amazonian, Shampoo, who currently works at a restaurant with her (great?) grandmother. Ranma also becomes a target since Shampoo told her Amazon newsletter that they were married. Then, there's "Evil and the Bean," a mini-story about a pesky demon that possesses different characters with a Lum reference to boot!
The third story focuses on thrifty Nibiki who is challenged by Kinnosuke, whose "lifestyle-fu is based on financial parasitism." The two of them go on outrageous dates, trying to get the other to pay for everything. Ranma and Akane are forced to tag along to make sure that Nibiki doesn't drive the family too far in debt...
While I'm a big fan of the series, I can honestly say that I probably don't even have half the series, but this volume is one of the better ones definately. With some of the more strange elements, like the puppet butler, to the more hilarious, the "Phoenix," Takahashi proves that even on volume 27 she can still write great stories.
I enjoyed each of the stories and all of the funny twists along the way, and it was nice that more supporting characters like Nibiki get their own stories every once and awhile. B+
Sunday, December 19, 2004
And Now Something Completely Different
Here's a bit of silliness that I found while surfing around:
There's an animated UK movie coming out in February called the Magic Roundabout, where an assortment of different characters team up to save the world from this guy with a spring for legs who wants to turn the world into an eternal winterland. (I believe this is a movie version of a British kid's show. Anyone care to elaborate?)
Why am I impressed? Let's check out the cast, shall we: Jim Broadbent, Joanna Lumley, Sir Ian McKellan, Doctor Who himself Tom Baker, with singers Robbie Williams and Kylie Minogue. (Americans, I'll explain who they are later. Rest of the world, you guys already know who they are.)
There's a trailer you can already see on the official web site. I wonder if they'll be any kind of US release of the movie?
Probably not.
There's an animated UK movie coming out in February called the Magic Roundabout, where an assortment of different characters team up to save the world from this guy with a spring for legs who wants to turn the world into an eternal winterland. (I believe this is a movie version of a British kid's show. Anyone care to elaborate?)
Why am I impressed? Let's check out the cast, shall we: Jim Broadbent, Joanna Lumley, Sir Ian McKellan, Doctor Who himself Tom Baker, with singers Robbie Williams and Kylie Minogue. (Americans, I'll explain who they are later. Rest of the world, you guys already know who they are.)
There's a trailer you can already see on the official web site. I wonder if they'll be any kind of US release of the movie?
Probably not.
Saturday, December 18, 2004
Ultraman Nexus: New Junis Mode
I just read that Ultraman Nexus is getting a new form, sort of. Apparently, there will be a new "evolved" form of Ultraman in his Junis form. The head and chest design will look the same, but the main color will be blue instead of red and there'll be different leg and arm designs. I personally prefer the old Junis mode better.
Go to ultramanlah.com, a very reliable source for new info on all things Ultra, to see a picture of this new Junis form for yourself.
And yeah, I know, I'll get to that review of the soundtrack pretty soon...
Go to ultramanlah.com, a very reliable source for new info on all things Ultra, to see a picture of this new Junis form for yourself.
And yeah, I know, I'll get to that review of the soundtrack pretty soon...
Wednesday, December 15, 2004
Comic Review: Fantastic Four #521
We've been lucky over the last few years to have some pretty talented teams working in the comic book industry: Grant Morrison and Frank Quitely on X-Men, Geoff Johns and Scott Kolins on Flash, Brian Michael Bendis and Alex Maleev on Daredevil, and, of course, Mark Waid and Mike Wieringo on the Fantastic Four.
This amazing creative team is going out with a bang as their last storyline involves everyone's favorite world-eater, Galactus. In part two, we see Johnny Storm adjusting to his sister's powers, the Power Cosmic, and his new job as Galactus' herald. Yeah, you heard me, Galactus' herald.
Johnny visits various planets, hoping the aliens will join him and find a way to oppose Galactus. Unfortunately, none of them seem to be in the mood to talk, which may have to do with the fact that their planet has been put on Galactus' menu. But once Johnny realizes the full potential of the Power Cosmic, he finally gets Galactus' attention...
The only thing I didn't like about this issue was the lack of Reed and company. I know that it's all about pacing and stuff, but the cover is misleading, as usual. A-
This amazing creative team is going out with a bang as their last storyline involves everyone's favorite world-eater, Galactus. In part two, we see Johnny Storm adjusting to his sister's powers, the Power Cosmic, and his new job as Galactus' herald. Yeah, you heard me, Galactus' herald.
Johnny visits various planets, hoping the aliens will join him and find a way to oppose Galactus. Unfortunately, none of them seem to be in the mood to talk, which may have to do with the fact that their planet has been put on Galactus' menu. But once Johnny realizes the full potential of the Power Cosmic, he finally gets Galactus' attention...
The only thing I didn't like about this issue was the lack of Reed and company. I know that it's all about pacing and stuff, but the cover is misleading, as usual. A-
Tuesday, December 14, 2004
Batman Begins
I've been adding entries about the upcoming Fantastic Four and Elektra movies that I'm eagerly awaiting, and it seems wrong that I have yet to mention the new Batman film.
Slated to come out this summer, the new Batman film stars Christian Bale as a young Bruce Wayne, who, after losing his parents, spends his life training his body and mind until one day he decides to dress up as a bat and beat up criminals.
Yes, it is a prequel film, though it may be loosely based on Frank Miller's "Batman: Year One" story. That, at the very least, would have made a better title for the movie.
The movie also stars Liam Neeson as Henri Ducard, Bruce Wayne's very own Qui-Gon Jinn, Michael Caine as Alfred, Bruce's faithful butler, Gary Oldman as a young Jim Gordon, Katie Holmes as the love interest, with Ken Watanabe as Ra Al Ghul, and Cillian Murphy as the Scarecrow.
While I hace some doubts about the casting, (Gary Oldman?!) I have complete faith in director Chris Nolan who will revamp the Bat-franchise for the new millennium.
Unfortunately, in my heart, I don't think that any Batman film will ever top Tim Burton's two Batfilms, especially Michael Keaton as Batman and the coolest Batmobile ever made.
Slated to come out this summer, the new Batman film stars Christian Bale as a young Bruce Wayne, who, after losing his parents, spends his life training his body and mind until one day he decides to dress up as a bat and beat up criminals.
Yes, it is a prequel film, though it may be loosely based on Frank Miller's "Batman: Year One" story. That, at the very least, would have made a better title for the movie.
The movie also stars Liam Neeson as Henri Ducard, Bruce Wayne's very own Qui-Gon Jinn, Michael Caine as Alfred, Bruce's faithful butler, Gary Oldman as a young Jim Gordon, Katie Holmes as the love interest, with Ken Watanabe as Ra Al Ghul, and Cillian Murphy as the Scarecrow.
While I hace some doubts about the casting, (Gary Oldman?!) I have complete faith in director Chris Nolan who will revamp the Bat-franchise for the new millennium.
Unfortunately, in my heart, I don't think that any Batman film will ever top Tim Burton's two Batfilms, especially Michael Keaton as Batman and the coolest Batmobile ever made.
Sunday, December 12, 2004
Ultraman Nexus Soundtrack
I dug around the Internet and finally found a copy of the Ultraman Nexus OST, composed by one of my favorite Japanese composers, Kenji Kawai. The CD is just under 70 minutes long.
Here's a partial English track listing that I found:
01. Main Title
02. NEXUS -Encounter-
03. NIGHT RAIDERS -Scramble-
04. Komon's Theme
05. Riko's Theme
06. TLT -Huge Organization-
07. TLT -Secret Base-
08. SPACE BEAST -Forming-
09. NIGHT RAIDERS -Patrol-
10. Mysterious Character
11. Heart Break
12. Shock
13. An Incident Occurs
14. SPACE BEAST -Crash-
15. NIGHT RAIDERS -Battle-
16. SPACE BEAST -Invasion-
17. Terror in Combat
18. NEXUS -Descent-
19. NEXUS -Dash-
20. NEXUS -Disappear-
21. Himeya's Theme
22. Eye Catch
23. TLT -Mission-
24. SPACE BEAST -Ferocious-
25. The Shriek that Tears the Darkness Asunder
26. Mobilize and Search for the Enemy
27. Nagi's Theme
28. Memory Police
29. The Tense Atmosphere
30. The Undying Past
31. SPACE BEAST -Awakening-
32. Thunder
33. SPACE BEAST -Charge-
34. SPACE BEAST -Stampede-
35. A Warrior's Destiny
36. SPACE BEAST -Stalked-
37. NIGHT RAIDERS -Attack-
38. Birth of a Demon
39. Requiem
40. SPACE BEAST -Rage-
41. Violation
42. The Time for the Decisive Showdown
43. NEXUS -Appearance-
44. NEXUS -Heroic-
45. NEXUS -Final Fight-
46. Friends
47. Fight the Future The Theme of Ultraman Nexus
performed by Project DMM?
music by Kenji Kawai
lryics by Gorou Matsui
Special thanks to the guys at Godzilla Monster Music who posted these English translations.
Here's a partial English track listing that I found:
01. Main Title
02. NEXUS -Encounter-
03. NIGHT RAIDERS -Scramble-
04. Komon's Theme
05. Riko's Theme
06. TLT -Huge Organization-
07. TLT -Secret Base-
08. SPACE BEAST -Forming-
09. NIGHT RAIDERS -Patrol-
10. Mysterious Character
11. Heart Break
12. Shock
13. An Incident Occurs
14. SPACE BEAST -Crash-
15. NIGHT RAIDERS -Battle-
16. SPACE BEAST -Invasion-
17. Terror in Combat
18. NEXUS -Descent-
19. NEXUS -Dash-
20. NEXUS -Disappear-
21. Himeya's Theme
22. Eye Catch
23. TLT -Mission-
24. SPACE BEAST -Ferocious-
25. The Shriek that Tears the Darkness Asunder
26. Mobilize and Search for the Enemy
27. Nagi's Theme
28. Memory Police
29. The Tense Atmosphere
30. The Undying Past
31. SPACE BEAST -Awakening-
32. Thunder
33. SPACE BEAST -Charge-
34. SPACE BEAST -Stampede-
35. A Warrior's Destiny
36. SPACE BEAST -Stalked-
37. NIGHT RAIDERS -Attack-
38. Birth of a Demon
39. Requiem
40. SPACE BEAST -Rage-
41. Violation
42. The Time for the Decisive Showdown
43. NEXUS -Appearance-
44. NEXUS -Heroic-
45. NEXUS -Final Fight-
46. Friends
47. Fight the Future The Theme of Ultraman Nexus
performed by Project DMM?
music by Kenji Kawai
lryics by Gorou Matsui
Special thanks to the guys at Godzilla Monster Music who posted these English translations.
Saturday, December 11, 2004
Ultraman Movie Update
I read somewhere that the new Ultraman movie is going to be a retelling of the very first episode from the original Ultraman series, only it's going to be set in more realistic and modern ("present") timeline.
For instance, our hero Maki works for the Japanese Air Force (or so it looks like from the trailer) and not some "Science Patrol." Also, our hero will not be the typical good-looking 20 year old, but a man in his thirities with a family. The Ultraman transformation is supposed to be more of a mutation, hence the more organic Guyver look.
The official site, ultraman-movie.com, has a new trailer that's 3 minutes long. It looks awesome. Now, all I need is for it to be imported over here with some English subtitles. Maybe there'll at least be a domestic DVD release. Hopefully, not by FUNimation though.
For instance, our hero Maki works for the Japanese Air Force (or so it looks like from the trailer) and not some "Science Patrol." Also, our hero will not be the typical good-looking 20 year old, but a man in his thirities with a family. The Ultraman transformation is supposed to be more of a mutation, hence the more organic Guyver look.
The official site, ultraman-movie.com, has a new trailer that's 3 minutes long. It looks awesome. Now, all I need is for it to be imported over here with some English subtitles. Maybe there'll at least be a domestic DVD release. Hopefully, not by FUNimation though.
Wednesday, December 08, 2004
It's Been Awhile
Yes, it's been awhile since I wrote a character profile. September, actually. I could have sworn that I wrote the Adler profile in October, but the blog doesn't lie, does it?
So, to make up for it, this character profile is a peek into the past of Zoey Walker, one of the main characters in my work-in-progress novel. This is, of course, just part one, and I hope to write more this month.
As for my novel, I just recently finished Chapter Nine, and my good friend is right now looking over it and Chapter Eight. I was hoping to reach the halfway point by 2005. (Let's say, around Chapter Twelve.) But that's not going to happen. I am really hopeful that I might get another chapter done by January.
So, to make up for it, this character profile is a peek into the past of Zoey Walker, one of the main characters in my work-in-progress novel. This is, of course, just part one, and I hope to write more this month.
As for my novel, I just recently finished Chapter Nine, and my good friend is right now looking over it and Chapter Eight. I was hoping to reach the halfway point by 2005. (Let's say, around Chapter Twelve.) But that's not going to happen. I am really hopeful that I might get another chapter done by January.
Tuesday, December 07, 2004
Character Profile: Zoey Walker (1)
It wasn't that Zoey's parent didn't love her. They just didn't have the time for her. Not with their twenty hour work schedules. So it was up to her kind old grandmother to take care of her most of the time.
Now, Zoey did what any young kid who felt neglected did, and caused mischief. We're not talking about widespread chaos, but whenever there was a chance for Zoey to disagree with a teacher or cause a commotion, she revelled in it. This caused her to attract the attention of some of the local gangs.
But her grandmother, who heard all about Zoey's misadventures, warned her. "Stay away from those fellows. They're always up to no good."
But young Zoey only cared about the local arcade, where she could drown out all of her adolescent worries with the loud noise of "Cap'n Artic" and "Alien Scream." She'd spend all her time after school there, instead of at the Intermediate-School Attitude-Adjustment Center, or I.S.A.A.C for short.
This, of course, would get Zoey into even more trouble. What she didn't know was that her grandmother wasn't telling her parents of her school problems, since she was too ashamed to fill them in about their daughter's activities.
Now, Zoey did what any young kid who felt neglected did, and caused mischief. We're not talking about widespread chaos, but whenever there was a chance for Zoey to disagree with a teacher or cause a commotion, she revelled in it. This caused her to attract the attention of some of the local gangs.
But her grandmother, who heard all about Zoey's misadventures, warned her. "Stay away from those fellows. They're always up to no good."
But young Zoey only cared about the local arcade, where she could drown out all of her adolescent worries with the loud noise of "Cap'n Artic" and "Alien Scream." She'd spend all her time after school there, instead of at the Intermediate-School Attitude-Adjustment Center, or I.S.A.A.C for short.
This, of course, would get Zoey into even more trouble. What she didn't know was that her grandmother wasn't telling her parents of her school problems, since she was too ashamed to fill them in about their daughter's activities.
Saturday, December 04, 2004
DVD Review: Daredevil Director's Cut
Finally a version that won't make DD fans cringe...
Presentation: This one disc double-dip comes in a standard DVD case with a slipcase. The menus are animated and make good use of Graeme Revell's score. B
Audio/Visual: Presented in widesreen, the picture and sound quality are very similar to the theatrical version, and the picture sould be good since the film was made in 2003. There's one or two hiccups in the editing where the new scenes were put in, but overall nothing to disappoint. B+
Content: Okay, I liked Daredevil the movie, despite it sucking. The writer/director Mark Steven Johnson excels at interpersonal relationships: Matt and Foggy, Matt and his dad, Matt and Elektra, etc..., but he really lacks in bring the superhero aspects to life, relying too much on Batman stereotypes.
But the added thirty minutes really helps improve this movie. Most of the major fights have added material, and now there's a whole new sub-plot with Matt Murdock actually being a lawyer!
Unfortunately, there's still all the annoying flaws of the original: the "Darecave," all that blind justice stuff, the blatant Crow rip-off, etc... that keeps it from being Spider-Man good.
Theatrical Version: C- Director's Cut: B
Extras: There's a new commentary and a featurette, but nothing too amazing. Pretty sparse compared to the theatrical DVD. And what, no isolated score? C-
Overall: Here's how I see things: This is the actual version of the film, but movie executives wanted it to be PG-13, so they can market it to their favorite demographics: teenagers. (And I could argue that the theatrical version should also have been a R rated film.)
If they had released this version, then it would have done better, at least with the critics. It's a shame that the only reason they even released it on DVD was as a cross-marketing ploy with the new Elektra movie. B
Presentation: This one disc double-dip comes in a standard DVD case with a slipcase. The menus are animated and make good use of Graeme Revell's score. B
Audio/Visual: Presented in widesreen, the picture and sound quality are very similar to the theatrical version, and the picture sould be good since the film was made in 2003. There's one or two hiccups in the editing where the new scenes were put in, but overall nothing to disappoint. B+
Content: Okay, I liked Daredevil the movie, despite it sucking. The writer/director Mark Steven Johnson excels at interpersonal relationships: Matt and Foggy, Matt and his dad, Matt and Elektra, etc..., but he really lacks in bring the superhero aspects to life, relying too much on Batman stereotypes.
But the added thirty minutes really helps improve this movie. Most of the major fights have added material, and now there's a whole new sub-plot with Matt Murdock actually being a lawyer!
Unfortunately, there's still all the annoying flaws of the original: the "Darecave," all that blind justice stuff, the blatant Crow rip-off, etc... that keeps it from being Spider-Man good.
Theatrical Version: C- Director's Cut: B
Extras: There's a new commentary and a featurette, but nothing too amazing. Pretty sparse compared to the theatrical DVD. And what, no isolated score? C-
Overall: Here's how I see things: This is the actual version of the film, but movie executives wanted it to be PG-13, so they can market it to their favorite demographics: teenagers. (And I could argue that the theatrical version should also have been a R rated film.)
If they had released this version, then it would have done better, at least with the critics. It's a shame that the only reason they even released it on DVD was as a cross-marketing ploy with the new Elektra movie. B
Thursday, December 02, 2004
Elektra Score To Be Released
Music from the Movies reported that Varese Sarabande will be releasing Christophe Beck's score to Marvel's Elektra movie on January 11th.
Beck's score is described to have "experiment with unusual sounds and textures." The web site stated that 'Beck says that he wanted to "create textures and music beds and edit and manipulate them to create both strange and familiar musical elements."'
The talks of prerecorded orchestral tracks and abstract sounds made me very curious about this score, and I'm interested in hearing it when it comes out.
Beck's other credits include movies like Taxi, Little Black Book, and The Perfect Man.
Beck's score is described to have "experiment with unusual sounds and textures." The web site stated that 'Beck says that he wanted to "create textures and music beds and edit and manipulate them to create both strange and familiar musical elements."'
The talks of prerecorded orchestral tracks and abstract sounds made me very curious about this score, and I'm interested in hearing it when it comes out.
Beck's other credits include movies like Taxi, Little Black Book, and The Perfect Man.
Ultraman Justice
I've become interested in this fairly recent Ultraman ever since I bought a little gashapon figure of him.
Ultraman Justice looks like a cross between UltraSeven and Ultraman Tiga. Like most of the more current Ultramen, he has two forms: "Normal" mode (unless it has a different name) and "Crusher" mode, a more powerful mode.
One of the more interesting things about him is that his host is a woman (GASP) played by Kazue Fukiishi.
As far as I can tell, he's only in one film, "Ultraman Cosmos VS Ultraman Justice," where evil robots/aliens are going to wipe out humanity so they can inhabit the Earth, and Ultraman Cosmos has to stop them. Only the robots/aliens have taken control of Ultraman Justice, so they have to fight each other. Soon, U-Justice breaks free of their control, and together they beat the robots/aliens.
Or so I've heard. If you know anything about Ultraman Justice, let me know.
Ultraman Justice looks like a cross between UltraSeven and Ultraman Tiga. Like most of the more current Ultramen, he has two forms: "Normal" mode (unless it has a different name) and "Crusher" mode, a more powerful mode.
One of the more interesting things about him is that his host is a woman (GASP) played by Kazue Fukiishi.
As far as I can tell, he's only in one film, "Ultraman Cosmos VS Ultraman Justice," where evil robots/aliens are going to wipe out humanity so they can inhabit the Earth, and Ultraman Cosmos has to stop them. Only the robots/aliens have taken control of Ultraman Justice, so they have to fight each other. Soon, U-Justice breaks free of their control, and together they beat the robots/aliens.
Or so I've heard. If you know anything about Ultraman Justice, let me know.
Tuesday, November 30, 2004
Fantastic Four Movie Update
The new picture of Doctor Doom has been circulating the web for awhile. It looks good; Doom's got his traditional green robes and metal mask. Meanwhile, I heard that we might see a teaser trailer as soon as January, just in time for the Elektra movie.
Speaking of...
The Elektra movie official site's now up with new wallpapers, an image gallery, and a couple of behind the scenes movies. No word yet on the soundtrack, though I hope that there'll be a score CD.
In other news...
Hopefully by the end of the week, I'll have some more new chapters typed up for my novel. But I wouldn't hold my breath if I were you.
Speaking of...
The Elektra movie official site's now up with new wallpapers, an image gallery, and a couple of behind the scenes movies. No word yet on the soundtrack, though I hope that there'll be a score CD.
In other news...
Hopefully by the end of the week, I'll have some more new chapters typed up for my novel. But I wouldn't hold my breath if I were you.
Saturday, November 27, 2004
Book Review: Loitering With Intent
The first part of Peter O'Toole's autobiography is a vivid recollection of growing up during World War 2.
It is Peter O'Toole's unique and poetic narration that draws the reader into young Peter's facination of Merlin and Sir Yvain. The actor recalls his childhood with his parents in wartime England, and often speculates on the life of Adolf Hitler with great sarcasm.
O'Toole's memoirs are not written in a straightfoward way. He seems to dance from memory to memory, skipping around his early life. About midway in the book, he reaches the point where he auditions for the RADA before going back into his childhood and the War.
For fans of Peter O'Toole, this book is indispensible, as you get a glimpse into the mind and life of this great actor. People who are curious about life during World War 2 will also want to read this book. Unfortunately, O'Toole doesn't speak much about acting or about working on any of his films, so this book won't help those curious about the art of acting. A-
It is Peter O'Toole's unique and poetic narration that draws the reader into young Peter's facination of Merlin and Sir Yvain. The actor recalls his childhood with his parents in wartime England, and often speculates on the life of Adolf Hitler with great sarcasm.
O'Toole's memoirs are not written in a straightfoward way. He seems to dance from memory to memory, skipping around his early life. About midway in the book, he reaches the point where he auditions for the RADA before going back into his childhood and the War.
For fans of Peter O'Toole, this book is indispensible, as you get a glimpse into the mind and life of this great actor. People who are curious about life during World War 2 will also want to read this book. Unfortunately, O'Toole doesn't speak much about acting or about working on any of his films, so this book won't help those curious about the art of acting. A-
Wednesday, November 24, 2004
Comic Review: Green Lantern: Rebirth #2 (of 6)
Geoff Johns, my favorite Flash writer and apparently a big Hal Jordan fan, is bringing Hal back to basics in this entralling mini-series.
Reading issue 1, I found myself with an unique story, one you can tell was written by a fan not only of Hal Jordan but of the Green Lantern mythos. Throughout the issue, Johns expressed his views and tries to resolve the problems created by the changes made in the last ten years, including Batman's distrust of Hal.
This issue is no different, with Guy Gardner being turned back into a Green Lantern, and the apparent resurrection of Kilowog, though no mention of the Kilowog from Joe Casey's "The Last Will and Testament of Hal Jordan."
But continunities are bound to be stepped on as Johns returns the Green Lantern title to its former glory, but I'll be honest, by daying that my favorite part of this issue was the moments with Hal and Carol Ferris. It was nice to see them both together again even if for the last time.
My only real complaint with the series so far is that Johns continuously makes digs on the Spectre. "This nonsense with the Spectre" And yeah, I moaned and complained when I heard they were making Hal into the Spectre, too, but the innovative and short-lived series won respect from me in the end.
While this issue, like issue 1, seems to have asked a lot of questions without making any time for the answers, issue 3 will hopefully shed some light on what's been going on, and what the future of Green Lantern will be.
Reading issue 1, I found myself with an unique story, one you can tell was written by a fan not only of Hal Jordan but of the Green Lantern mythos. Throughout the issue, Johns expressed his views and tries to resolve the problems created by the changes made in the last ten years, including Batman's distrust of Hal.
This issue is no different, with Guy Gardner being turned back into a Green Lantern, and the apparent resurrection of Kilowog, though no mention of the Kilowog from Joe Casey's "The Last Will and Testament of Hal Jordan."
But continunities are bound to be stepped on as Johns returns the Green Lantern title to its former glory, but I'll be honest, by daying that my favorite part of this issue was the moments with Hal and Carol Ferris. It was nice to see them both together again even if for the last time.
My only real complaint with the series so far is that Johns continuously makes digs on the Spectre. "This nonsense with the Spectre" And yeah, I moaned and complained when I heard they were making Hal into the Spectre, too, but the innovative and short-lived series won respect from me in the end.
While this issue, like issue 1, seems to have asked a lot of questions without making any time for the answers, issue 3 will hopefully shed some light on what's been going on, and what the future of Green Lantern will be.
Tuesday, November 23, 2004
Happy Birthday Doctor Who!
I believe it was 41 years ago from today that this great program was first aired on TV in the U.K.
Sunday, November 21, 2004
DVD Review: Body Language Live
Where there's an album, there's a DVD...
Presentation: B The disc is in a normal DVD case with a booklet with black and white photos from the concert and some credits. My only real beef with this is that they could have written a little backstory on this concert. I believe this concert is the "Money Can't Buy" concert performed on November 15, 2003, two days before the album was released in the UK.
Audio & Video: B+ With 5.1 Dolby Surround, Stereo, and 5.1 DTS, you can bet that Kylie's voice never sounded better. The concert is presented in widescreen. The picture's pretty clean and sharp, slightly better than the "Live in Sydney" DVD.
Content: B Since this concert is to celebrate the album launch of Body Language at the London Apollo, it shouldn't surprise you that seven of the thirteen songs are from Body Language. Most of the other songs are from the albums, Light Years and Fever.
The concert’s split into four different sections (and different outfits) and the concert’s only about an hour long. It has Kylie singing in front of a large screen with some dancers who I tend to ignore. It’s rather modest compared to some of her other concerts, I’m sure, but I prefer my concerts without a whole lot of bells and whistles.
Extras: A Let’s see, there’s a seventeen minute “documentary,” that talks about the new album, filming the “Slow” music video, and the preparation of the concert. There’s multi-angles of two of the songs, which shows you the images on the large screen.
There’s also the three music videos from Body Language as well as a photo gallery and DVD ROM material that includes: four wallpapers, screensavers, and a weblink.
Overall: A This is my favorite “live” Kylie DVD. But part of that is because I really like Body Language. Other Kylie fans may want to purchase one of the other DVDs for a more diverse listing of songs. Another reason was because I got my copy under 15 dollars, well worth the price.
Presentation: B The disc is in a normal DVD case with a booklet with black and white photos from the concert and some credits. My only real beef with this is that they could have written a little backstory on this concert. I believe this concert is the "Money Can't Buy" concert performed on November 15, 2003, two days before the album was released in the UK.
Audio & Video: B+ With 5.1 Dolby Surround, Stereo, and 5.1 DTS, you can bet that Kylie's voice never sounded better. The concert is presented in widescreen. The picture's pretty clean and sharp, slightly better than the "Live in Sydney" DVD.
Content: B Since this concert is to celebrate the album launch of Body Language at the London Apollo, it shouldn't surprise you that seven of the thirteen songs are from Body Language. Most of the other songs are from the albums, Light Years and Fever.
The concert’s split into four different sections (and different outfits) and the concert’s only about an hour long. It has Kylie singing in front of a large screen with some dancers who I tend to ignore. It’s rather modest compared to some of her other concerts, I’m sure, but I prefer my concerts without a whole lot of bells and whistles.
Extras: A Let’s see, there’s a seventeen minute “documentary,” that talks about the new album, filming the “Slow” music video, and the preparation of the concert. There’s multi-angles of two of the songs, which shows you the images on the large screen.
There’s also the three music videos from Body Language as well as a photo gallery and DVD ROM material that includes: four wallpapers, screensavers, and a weblink.
Overall: A This is my favorite “live” Kylie DVD. But part of that is because I really like Body Language. Other Kylie fans may want to purchase one of the other DVDs for a more diverse listing of songs. Another reason was because I got my copy under 15 dollars, well worth the price.
Saturday, November 20, 2004
CD Review: Body Language
With the international explosion that was Fever, a lesser artist would try and replicate its success, but no one ever said that Australian singer Kylie Minogue was your average performer...
In fact for her newest album, Kylie dived deeper into the realm of techno, with more complex sounds compared to Fever's simplistic synth work. But it's Kylie who's the real treat. Her voice is smooth, sweet, and playful. In other words, she's in top form.
The album starts with the single, "Slow," a dance-inducing song that compliments Kylie's alluring voice. It's very radio-friendly, though I've yet to hear it on U.S. radio stations. It then goes through some fun songs exhibiting Kylie's versatility, like "Still Standing" and "Promises." "Secret (Take You Home)" slowly won me over despite the pseudo-rapping.
The next single from the album is "Red Blooded Woman." This is a hit-or-miss song, from what I've read. People either like or hate this song. I personally like it, but I can see how the "la la la" in the middle and the repetiton of the refrain may annoy people.
But the real highlight of this album is "Chocolate," one of the best songs Kylie's ever done. Its smooth rhythm and Kylie's sly voice melt together creating something sweet for your ears. (Sorry about that. Couldn't resist.) You'll want to keep coming back to this jem.
Unfortunately, after "Chocolate," I felt there were some of the weaker songs. I'm not saying that they aren't good. They just don't have the same repeat value as the earlier ones. Marooned near the end of the album is "Loving Days," a song that grew to be one of my favorite songs. While its composition is more straightfoward than the three singles, I could see this one have a home on the radio, but it seems destined to be ignored.
For U.S. listeners, we get two bonus tracks: "Cruise Control" and "You Make Me Feel." "Cruise Control" is a fun song that I enjoy listening to, but it doesn't break any new ground that "Secret" didn't already cover. (Hence it being a B-Side.) There's also a better version of the song on the "Red Blooded Woman" single. "You Make Me Feel" is about the only song that I tend to skip over. It just doesn't click with me.
There's also some enhanced CD material, with the music video for "Slow" and the live performace of "Can't Get You Out Of My Head" from Kylie's "Money Can't Buy" concert. (Now out on DVD.)
This is easily Kylie's best album since Light Years, my second favorite album. Not that there's anything wrong with Fever. I was surprised to find out that singer Emiliana Torrini helped write two songs. I had only recently heard of Torrini, thanks to the LOTR: Two Towers soundtrack. Anyway, if you consider yourself a Kylie fan, then you should already own this. B+
In fact for her newest album, Kylie dived deeper into the realm of techno, with more complex sounds compared to Fever's simplistic synth work. But it's Kylie who's the real treat. Her voice is smooth, sweet, and playful. In other words, she's in top form.
The album starts with the single, "Slow," a dance-inducing song that compliments Kylie's alluring voice. It's very radio-friendly, though I've yet to hear it on U.S. radio stations. It then goes through some fun songs exhibiting Kylie's versatility, like "Still Standing" and "Promises." "Secret (Take You Home)" slowly won me over despite the pseudo-rapping.
The next single from the album is "Red Blooded Woman." This is a hit-or-miss song, from what I've read. People either like or hate this song. I personally like it, but I can see how the "la la la" in the middle and the repetiton of the refrain may annoy people.
But the real highlight of this album is "Chocolate," one of the best songs Kylie's ever done. Its smooth rhythm and Kylie's sly voice melt together creating something sweet for your ears. (Sorry about that. Couldn't resist.) You'll want to keep coming back to this jem.
Unfortunately, after "Chocolate," I felt there were some of the weaker songs. I'm not saying that they aren't good. They just don't have the same repeat value as the earlier ones. Marooned near the end of the album is "Loving Days," a song that grew to be one of my favorite songs. While its composition is more straightfoward than the three singles, I could see this one have a home on the radio, but it seems destined to be ignored.
For U.S. listeners, we get two bonus tracks: "Cruise Control" and "You Make Me Feel." "Cruise Control" is a fun song that I enjoy listening to, but it doesn't break any new ground that "Secret" didn't already cover. (Hence it being a B-Side.) There's also a better version of the song on the "Red Blooded Woman" single. "You Make Me Feel" is about the only song that I tend to skip over. It just doesn't click with me.
There's also some enhanced CD material, with the music video for "Slow" and the live performace of "Can't Get You Out Of My Head" from Kylie's "Money Can't Buy" concert. (Now out on DVD.)
This is easily Kylie's best album since Light Years, my second favorite album. Not that there's anything wrong with Fever. I was surprised to find out that singer Emiliana Torrini helped write two songs. I had only recently heard of Torrini, thanks to the LOTR: Two Towers soundtrack. Anyway, if you consider yourself a Kylie fan, then you should already own this. B+
Thursday, November 18, 2004
Ultraman Movie Update
The new Ultraman movie site has been updated with wallpapers, trailers, and a lot of Japanese stuff I don't understand. While the movie still seems to be called "Ultraman," the wallpapers have a subtitle of "Revival" which may be part of the title as well.
The Ultraman in the movie is referred to as Ultraman the Next, and the villain is Beast the One. From the trailer, it looks like an army pilot with a good family crashes into a red asteroid, which gives him the powers of Ultraman!
The movie is going to be released on December 18, 2004. Check out ultraman-movie.com for yourself.
In Ultraman Nexus news, the third Ultraman has been revealed to be Dark Faust, an evil Ultraman. Faust has a more traditional rubber skin look than Ultraman Nexus' armored form. He shares Junis' colors of red, black, and silver and has three horn-like protrusions.
The Ultraman in the movie is referred to as Ultraman the Next, and the villain is Beast the One. From the trailer, it looks like an army pilot with a good family crashes into a red asteroid, which gives him the powers of Ultraman!
The movie is going to be released on December 18, 2004. Check out ultraman-movie.com for yourself.
In Ultraman Nexus news, the third Ultraman has been revealed to be Dark Faust, an evil Ultraman. Faust has a more traditional rubber skin look than Ultraman Nexus' armored form. He shares Junis' colors of red, black, and silver and has three horn-like protrusions.
DVD Review: Ultraman Tiga Volume 4
After a long delay from an original August release, I finally got my hands on the last episodes of one of the best Ultraman series ever made.
Presentation: G- Mislabeling disc two on the back cover. No booklet. The menus look the same from the last volume only with a gold background. This volume wasn't delayed so that FUNimation could do a good job on the packaging...
Audio & Video: B+ It's the same quality as the past volumes, so if you were impressed with them then you won't be disappointed with this one.
Content: B+ While the first three episode seemed weak, all of the other episodes are great. Ultraman Tiga faces off against "Evil Tiga," meets the original Ultraman, and there's a satisfying conclusion to a great series.
Extras: C- There's a monster gallery, which features monsters I don't think was even in this set, and "GUTS Top Secret Logs," basically Fox Box junk that gives you a sampling of what the English dub sounded like.
Overall: B FUNimation should be arrested for their cruel treatment of this set, but I'm happy just to have the rest of the series finally.
Presentation: G- Mislabeling disc two on the back cover. No booklet. The menus look the same from the last volume only with a gold background. This volume wasn't delayed so that FUNimation could do a good job on the packaging...
Audio & Video: B+ It's the same quality as the past volumes, so if you were impressed with them then you won't be disappointed with this one.
Content: B+ While the first three episode seemed weak, all of the other episodes are great. Ultraman Tiga faces off against "Evil Tiga," meets the original Ultraman, and there's a satisfying conclusion to a great series.
Extras: C- There's a monster gallery, which features monsters I don't think was even in this set, and "GUTS Top Secret Logs," basically Fox Box junk that gives you a sampling of what the English dub sounded like.
Overall: B FUNimation should be arrested for their cruel treatment of this set, but I'm happy just to have the rest of the series finally.
Saturday, November 13, 2004
My Name is Modesty
I can't say that I'm a lifelong fan of Modesty Blaise, in fact I'm quite the newbie compared to my dedication to all things Saintly. I only recently learned about her at my local comic book store, where Jim Holdaway's art caught my eye: a huge blow-up of Modesty's face, splashed with red and black. It was the cover of the first of Titan Books' new collection of Peter O'Donnell's entertaining comic strip.
The stories are tons of fun to read, strips and novels alike, but what impressed me the most was that Peter, creator of Modesty, had written every Modesty story out there, barring the occasional bad movie adaptation. Here was a man who had total creative freedom of his characters and did what he wanted with them. Something all writers wish for, I guess.
Anyway, I came across a relatively new movie called "My Name is Modesty." Miramax released it just so they could keep the movie rights. It's a low-low-low budget film about a young Modesty who's working at a casino that gets held up, and through a card game with the leader, reveals her past while trying to free the hostages.
So, I've been tossing around the idea about seeing the movie, but two big things bother me about the movie. No, not the zero-budget. Remember, I'm a big fan of Doctor Who and Ultraman. Special Effects aren't everything. First, it's a prequel. I loathe prequels. Period. Second, there's no Willie Garvin. Who in their right mind would make a Modesty Blaise story without Willie? And third, the price for the DVD is 20 to 30 dollars! Three things I didn't like was prequel, no Willie, and price...
Maybe someday, Miramax will make a "real" Modesty Blaise movie, one fans can flock to and call their own...
Nah.
The stories are tons of fun to read, strips and novels alike, but what impressed me the most was that Peter, creator of Modesty, had written every Modesty story out there, barring the occasional bad movie adaptation. Here was a man who had total creative freedom of his characters and did what he wanted with them. Something all writers wish for, I guess.
Anyway, I came across a relatively new movie called "My Name is Modesty." Miramax released it just so they could keep the movie rights. It's a low-low-low budget film about a young Modesty who's working at a casino that gets held up, and through a card game with the leader, reveals her past while trying to free the hostages.
So, I've been tossing around the idea about seeing the movie, but two big things bother me about the movie. No, not the zero-budget. Remember, I'm a big fan of Doctor Who and Ultraman. Special Effects aren't everything. First, it's a prequel. I loathe prequels. Period. Second, there's no Willie Garvin. Who in their right mind would make a Modesty Blaise story without Willie? And third, the price for the DVD is 20 to 30 dollars! Three things I didn't like was prequel, no Willie, and price...
Maybe someday, Miramax will make a "real" Modesty Blaise movie, one fans can flock to and call their own...
Nah.
Friday, November 12, 2004
Comic Review: Iron Man #1 and other stuff
Warren Ellis has taken over writing everyone's favorite armored Avenger as Marvel "reloads" Iron Man.
The "Extremis" storyline introduces yet another modernization of a superhero's origin. Now, Tony Stark got impaled by shrapnel from an exploding landmine during a Taliban attack, all revealed through an interview/flashback. Meanwhile, someone's stolen a experimental something that's called Extremis and it's been injected into someone, causing a most disturbing metamorphosis...
I like this story, though not much really happens during this initial issue. But it does a good job of introducing the tortured Tony Stark, trying to make up for his past designing weapons for the military. It sets up the story pretty well, and I am eager for future issues to find out what this Extremis is all about.
Adi Granov's digital art looks almost cinematic at times, like on page fifteen. I recommend this to all Ellis fans and Iron Man fans alike. The only real drawback of this issue is its $3.50 price tag.
In other news, Marvel released a Handbook of the Dead 2004, listing all of the dead characters. Bucky was fortunately still listed as dead. I was surprised to find Thor listed as dead, but that explains why there's a new young Thor prequel comic book out. I found it comical (no pun intended) that Phoenix was listed as dead, even though a new miniseries is being made to bring her back after only being dead for what, a year at the most. (See previous discussion of using death as a marketing tool.)
Also, the newest issue of DC's Identity Crisis miniseries seems to be indicating that Ray Palmer, the Atom, is the serial killer who's going after superheroes' family members. (Remember the other day when I was saying about heroes being turned into villains for shock value? Anyway, they should have learned from Hal Jordan.)
The "Extremis" storyline introduces yet another modernization of a superhero's origin. Now, Tony Stark got impaled by shrapnel from an exploding landmine during a Taliban attack, all revealed through an interview/flashback. Meanwhile, someone's stolen a experimental something that's called Extremis and it's been injected into someone, causing a most disturbing metamorphosis...
I like this story, though not much really happens during this initial issue. But it does a good job of introducing the tortured Tony Stark, trying to make up for his past designing weapons for the military. It sets up the story pretty well, and I am eager for future issues to find out what this Extremis is all about.
Adi Granov's digital art looks almost cinematic at times, like on page fifteen. I recommend this to all Ellis fans and Iron Man fans alike. The only real drawback of this issue is its $3.50 price tag.
In other news, Marvel released a Handbook of the Dead 2004, listing all of the dead characters. Bucky was fortunately still listed as dead. I was surprised to find Thor listed as dead, but that explains why there's a new young Thor prequel comic book out. I found it comical (no pun intended) that Phoenix was listed as dead, even though a new miniseries is being made to bring her back after only being dead for what, a year at the most. (See previous discussion of using death as a marketing tool.)
Also, the newest issue of DC's Identity Crisis miniseries seems to be indicating that Ray Palmer, the Atom, is the serial killer who's going after superheroes' family members. (Remember the other day when I was saying about heroes being turned into villains for shock value? Anyway, they should have learned from Hal Jordan.)
Thursday, November 11, 2004
Ultimate Kylie
Kylie Minogue is going through the inbetween-albums blues. So to cheer herself up, she's releasing a two-disc "best of..." including two brand new songs. It's called "Ultimate Kylie."
There's also supposed to be a "Ultimate Kylie" DVD coming put with all of her music videos on it. Reading about it on a fan site, I found two things about it I didn't like:
1. The release date for it in the UK, Australia, Canada, heck everywhere except the U.S. is the end of November, while it'll be released here sometime in February 2005.
2. It's technically not a complete set of her music videos. If the listing on the fan site is correct, the DVD will not have the music videos for "Where is that Feeling?," "Some kind of Bliss," and "Cowboy Style." All cool songs from my favorite era of Kylie.
It's true that I got this from a fan site, so I shouldn't just readily believe it, but it seems typical that when making room on the DVD, they'd start cutting off the bits I'd like.
There's also supposed to be a "Ultimate Kylie" DVD coming put with all of her music videos on it. Reading about it on a fan site, I found two things about it I didn't like:
1. The release date for it in the UK, Australia, Canada, heck everywhere except the U.S. is the end of November, while it'll be released here sometime in February 2005.
2. It's technically not a complete set of her music videos. If the listing on the fan site is correct, the DVD will not have the music videos for "Where is that Feeling?," "Some kind of Bliss," and "Cowboy Style." All cool songs from my favorite era of Kylie.
It's true that I got this from a fan site, so I shouldn't just readily believe it, but it seems typical that when making room on the DVD, they'd start cutting off the bits I'd like.
Sunday, November 07, 2004
Ultraman Nexus Update
I have just learned that Japanese composer Kenji Kawai will be writing the music for the new television series, Ultraman Nexus. Kawai's famous for his work with anime director Mamoru Oshii, composing for the Ghost in the Shell movies, all things Patlabor, and the live-action Avalon.
There's supposed to be a soundtrack released at the end of November, but how will I get my hands on one? It also wouldn't hurt if someone started importing Nexus to the U.S.
There's supposed to be a soundtrack released at the end of November, but how will I get my hands on one? It also wouldn't hurt if someone started importing Nexus to the U.S.
Friday, November 05, 2004
Elektra Movie Update
I was impressed by Jennifer Garner's protrayal of Elektra in the Daredevil movie, so I've been keeping a close eye on the new spin-off movie, hoping it doesn't end up like Catwoman.
The new movie site, elektramovie.com, has just opened this week, with a synopsis, wallpaper, and video clips. The American synopsis is pratically useless, mainly namedropping who's in the cast, though it mentions that Elektra has "kimagure," the limited ability to see into the future. (What?)
The European synopsis actually says a lot more of the actual plot. Elektra's haunted by the death of her parents as well as her own death, and becomes an assassin to sate her rage, but she needs "something more than a reason to kill... a reason to live." It also mentions Typhoid Mary, but I doubt she'll be anything like DD's schizoid nemesis.
There's been very little hype or advertising out yet for this movie, despite it coming out in January. The costume looks okay, but I liked the DD costume better. I remain optimistic and hopeful that the movie will be cool. Just think: Terence Stamp as Stick!
The new movie site, elektramovie.com, has just opened this week, with a synopsis, wallpaper, and video clips. The American synopsis is pratically useless, mainly namedropping who's in the cast, though it mentions that Elektra has "kimagure," the limited ability to see into the future. (What?)
The European synopsis actually says a lot more of the actual plot. Elektra's haunted by the death of her parents as well as her own death, and becomes an assassin to sate her rage, but she needs "something more than a reason to kill... a reason to live." It also mentions Typhoid Mary, but I doubt she'll be anything like DD's schizoid nemesis.
There's been very little hype or advertising out yet for this movie, despite it coming out in January. The costume looks okay, but I liked the DD costume better. I remain optimistic and hopeful that the movie will be cool. Just think: Terence Stamp as Stick!
One of Our Own
Another disturbing trend in modern comics is the turning of heroes into villains, especially for shock value.
For instance, I was flipping through the last part of the "Avengers Dissembled" storyline (in stores now) and Scarlet Witch is revealed to have been behind the destruction of the Avenger's Mansion and probably the deaths of Vision, Ant-Man, and Hawkeye. (Correct me if I'm wrong, since I'm not actually reading the series. This also brings into play what I've said before about death as a ratings ploy.)
Now, I'm sure the story was well written, and Scarlet Witch didn't really turn evil, as much as just went loco. And it's not the first time something like this has happened. Remember when Iron Man became Kang's spy or something, and the Avengers took a young Stark from the past, and... well, there was all that. Let's not forget Hal Jordan too.
What I'm trying to get at is that we (the fans) like these characters because they're our heroes, and turning them into villains sucks. Who wants their idol turned into a badly written two dimensional villain?
So, Marvel and DC, stop the craziness and leave the heroes alone. Anyway, just like death and any other changes you try to invoke, someone will come and change it back. Just like Hal Jordan.
For instance, I was flipping through the last part of the "Avengers Dissembled" storyline (in stores now) and Scarlet Witch is revealed to have been behind the destruction of the Avenger's Mansion and probably the deaths of Vision, Ant-Man, and Hawkeye. (Correct me if I'm wrong, since I'm not actually reading the series. This also brings into play what I've said before about death as a ratings ploy.)
Now, I'm sure the story was well written, and Scarlet Witch didn't really turn evil, as much as just went loco. And it's not the first time something like this has happened. Remember when Iron Man became Kang's spy or something, and the Avengers took a young Stark from the past, and... well, there was all that. Let's not forget Hal Jordan too.
What I'm trying to get at is that we (the fans) like these characters because they're our heroes, and turning them into villains sucks. Who wants their idol turned into a badly written two dimensional villain?
So, Marvel and DC, stop the craziness and leave the heroes alone. Anyway, just like death and any other changes you try to invoke, someone will come and change it back. Just like Hal Jordan.
Wednesday, November 03, 2004
Ultraman Nexus and Ultraman the Movie
Here's the scoop on the new Ultraman tv series and upcoming movie:
Ultraman Nexus premiered on October 2 in Japan. Set in the near future, a high-tech security force called TLT (pronounced "tilt") protects the Earth from an invasion of "Space Beasts."
The show will feature the now traditional multi-form Ultraman: the silver version is called "Anphans" (or "enfance" meaning "childhood" in French) and the red version called "Junis" (or "jeunesse" meaning "youth" in French.) Anphans will battle monsters in our universe, while transforming into Junis to do battle in the "Meta Field" dimension. That's not all. There's also a third version of this Ultraman that has yet to be revealed.
Another new concept being used for the series is that multiple people will take on the power of Ultraman. The first host for Ultraman will be actor Yusuke Kirishima, playing a young man surrounded in mystery. Other cast members include Takuji Kawakubo, Tamotsu Ishibashi, and Yasue Sato.
As for the upcoming Ultraman movie, it seems to have been simply titled "Ultraman" and may be released as soon as January 2005. The script was written Keiichi Hasegawa, whose credits include the Ultraman Tiga tv series and the Ultraman Gaia movie. Since these are two of my favorite Ultraman shows, I can't wait to see this movie.
The Ultraman featured in this movie will be different than the Ultraman Nexus one, though it's likely it too will have a transformation ability. The Movie Ultraman looks like a cross between Ultraman Noah and Guyver I. The nerd translation: simply AWESOME.
The only real problem being that I have no idea if any of this will be released here in the U.S. FUNimation, who's released Ultraman Tiga on DVD, should try and get at least Dyna and Gaia released too, but they really only care about selling their Dragonball Z stuff.
Ultraman Nexus premiered on October 2 in Japan. Set in the near future, a high-tech security force called TLT (pronounced "tilt") protects the Earth from an invasion of "Space Beasts."
The show will feature the now traditional multi-form Ultraman: the silver version is called "Anphans" (or "enfance" meaning "childhood" in French) and the red version called "Junis" (or "jeunesse" meaning "youth" in French.) Anphans will battle monsters in our universe, while transforming into Junis to do battle in the "Meta Field" dimension. That's not all. There's also a third version of this Ultraman that has yet to be revealed.
Another new concept being used for the series is that multiple people will take on the power of Ultraman. The first host for Ultraman will be actor Yusuke Kirishima, playing a young man surrounded in mystery. Other cast members include Takuji Kawakubo, Tamotsu Ishibashi, and Yasue Sato.
As for the upcoming Ultraman movie, it seems to have been simply titled "Ultraman" and may be released as soon as January 2005. The script was written Keiichi Hasegawa, whose credits include the Ultraman Tiga tv series and the Ultraman Gaia movie. Since these are two of my favorite Ultraman shows, I can't wait to see this movie.
The Ultraman featured in this movie will be different than the Ultraman Nexus one, though it's likely it too will have a transformation ability. The Movie Ultraman looks like a cross between Ultraman Noah and Guyver I. The nerd translation: simply AWESOME.
The only real problem being that I have no idea if any of this will be released here in the U.S. FUNimation, who's released Ultraman Tiga on DVD, should try and get at least Dyna and Gaia released too, but they really only care about selling their Dragonball Z stuff.
Tuesday, November 02, 2004
Monday, November 01, 2004
Chapter Preview
Here's a little treat for all three of my faithful readers: an excerpt from the new Chapter Eight that I'm working on. Enjoy!
Rian moved to the door, and crouched under its frame to fit into the hallway. Zoey heard the stairs creak and moan. Relieved to get the giant alien out of her bedroom, she threw back her sheets, snuck out into the hall, making her way to Sara’s room. She opened the door, not at all surprised to find it empty. Gazing around all the book shelves, she found only one large space of wall, over Sara’s bed, and it was covered by a framed painting. The painting was of a lady in an elegant white dress with a purple sash. She was reclining in an antique chair covered by a floral design with blue drapes in the background. Zoey might have thought it was a self portrait of a younger Sara, if not for the cold, contemptible look on the woman’s face and the fact that her eyes weren’t green.
As she was about to leave, Zoey noticed a picture frame on the desk. It was of two women on a balcony at night. The one on the left had crisp, blond hair that touched her bare shoulders and wore a stylish black dress that hugged to her body. The one on the right was in a mainly black traditional Japanese dress, complete with a white obi that wrapped around her waist. Her long, dark hair was wrapped behind her head into a bun. The two looked of similar ages: late twenties, early thirties Zoey guessed. Both of them seemed to be happy, waving at the camera. Without being able to explain it, Zoey felt that they were both the best of friends. A highlight of that friendship frozen forever within the thin pane of glass. Zoey replaced the frame on the desk and left the room.
Rian moved to the door, and crouched under its frame to fit into the hallway. Zoey heard the stairs creak and moan. Relieved to get the giant alien out of her bedroom, she threw back her sheets, snuck out into the hall, making her way to Sara’s room. She opened the door, not at all surprised to find it empty. Gazing around all the book shelves, she found only one large space of wall, over Sara’s bed, and it was covered by a framed painting. The painting was of a lady in an elegant white dress with a purple sash. She was reclining in an antique chair covered by a floral design with blue drapes in the background. Zoey might have thought it was a self portrait of a younger Sara, if not for the cold, contemptible look on the woman’s face and the fact that her eyes weren’t green.
As she was about to leave, Zoey noticed a picture frame on the desk. It was of two women on a balcony at night. The one on the left had crisp, blond hair that touched her bare shoulders and wore a stylish black dress that hugged to her body. The one on the right was in a mainly black traditional Japanese dress, complete with a white obi that wrapped around her waist. Her long, dark hair was wrapped behind her head into a bun. The two looked of similar ages: late twenties, early thirties Zoey guessed. Both of them seemed to be happy, waving at the camera. Without being able to explain it, Zoey felt that they were both the best of friends. A highlight of that friendship frozen forever within the thin pane of glass. Zoey replaced the frame on the desk and left the room.
Sunday, October 31, 2004
Bad Toons
I'm really sick of these negative ads. I mean, where does Plank get off running these kinds of ads?
Yes, the last refuge from reality, Cartoon Network, has joined every other network in showing annoying political ads. Only these ads are for fictional candidates that kids are suppose to vote for on CN's web site.
Now, you could say, "Hey some of them are kind of funny. They even got famed animal-zoo person Jack Hanna to do one." And you'd be right, but I'm just tired of hearing anything that starts or ends (or even contains) the phrase "I approve this message."
If November 2nd wasn't days away, I don't know if I could take much more of this. What? Turn off my television and read a book? What do I look like a nerd? Hey, wait a minute. I am a nerd! I listed "Tale of Genji" as one of my favorite book on my profile!
Ahem, Happy Halloween, folks.
Yes, the last refuge from reality, Cartoon Network, has joined every other network in showing annoying political ads. Only these ads are for fictional candidates that kids are suppose to vote for on CN's web site.
Now, you could say, "Hey some of them are kind of funny. They even got famed animal-zoo person Jack Hanna to do one." And you'd be right, but I'm just tired of hearing anything that starts or ends (or even contains) the phrase "I approve this message."
If November 2nd wasn't days away, I don't know if I could take much more of this. What? Turn off my television and read a book? What do I look like a nerd? Hey, wait a minute. I am a nerd! I listed "Tale of Genji" as one of my favorite book on my profile!
Ahem, Happy Halloween, folks.
Friday, October 29, 2004
But Seriously... Vote.
Unless you've had your head buried underground, or haven't been watching television, which is pratically the same thing, then you know that November 2nd is Election Day.
Unless you don't live in the USA. You people can't vote in our election, so go away.
I'm just asking that you, a citizen of the United States, be responsible for one day and vote. With the race for Presidency being so close, every vote is going to matter. I won't tell you who to vote for, or even who's going to be on the ballot. (It's a surprise.) Just go out and vote. Please.
Not that I really want to you to just pick names at random. I'd rather have one informed voter than twenty uninformed voters. Do a lttle research on the candidates in your state.
"But, I'm too busy..."
No, you're not. You have the Internet. In half an hour, you'll have all the dirt on your favorite auditor up for re-election. And for God's Sake. don't listen to the negative ads on TV and the radio. It'll give you brain cancer.
So, read up, be informed, and I'll see you at the polls and resulting chaos afterwards. Remember, it's like what Rev. Jesse Jackson said on the Daily Show, the youth of America has taken an interest in these elections, and they will decide the future they will live in.
Don't you want to be a part of that?
"I'm George W. Bush."
"I'm John Kerry."
"And we both had nothing to do with this message. Seriously, dude."
Unless you don't live in the USA. You people can't vote in our election, so go away.
I'm just asking that you, a citizen of the United States, be responsible for one day and vote. With the race for Presidency being so close, every vote is going to matter. I won't tell you who to vote for, or even who's going to be on the ballot. (It's a surprise.) Just go out and vote. Please.
Not that I really want to you to just pick names at random. I'd rather have one informed voter than twenty uninformed voters. Do a lttle research on the candidates in your state.
"But, I'm too busy..."
No, you're not. You have the Internet. In half an hour, you'll have all the dirt on your favorite auditor up for re-election. And for God's Sake. don't listen to the negative ads on TV and the radio. It'll give you brain cancer.
So, read up, be informed, and I'll see you at the polls and resulting chaos afterwards. Remember, it's like what Rev. Jesse Jackson said on the Daily Show, the youth of America has taken an interest in these elections, and they will decide the future they will live in.
Don't you want to be a part of that?
"I'm George W. Bush."
"I'm John Kerry."
"And we both had nothing to do with this message. Seriously, dude."
Monday, October 25, 2004
Brief Insight
What if a side effect to taking medication for your "over-active" bladder is diarrhea?
Saturday, October 23, 2004
Jon Stewart on American Perspectives
I caught the last twenty minutes of Jon Stewart on American Perspectives. (Hence the title. Get it?)
Jon Stewart's the host and executive producer of the "Daily Show," and during the show, he was fielding questions about politics and the media. It was really interesting to watch and I'm not just saying that because I'm one of his biggest fans.
Stewart was speaking with a mixture of humor and honesty as well as intelligence. Quite refreshing compared to today's media crammed with idiots and talking points.
I hope that it's shown again this week, so try to catch it, okay?
Jon Stewart's the host and executive producer of the "Daily Show," and during the show, he was fielding questions about politics and the media. It was really interesting to watch and I'm not just saying that because I'm one of his biggest fans.
Stewart was speaking with a mixture of humor and honesty as well as intelligence. Quite refreshing compared to today's media crammed with idiots and talking points.
I hope that it's shown again this week, so try to catch it, okay?
Comic Review: Rogue #4
I was impressed by Robert Rodi's stories for the now-canceled Elektra series, so I decided to check out X-Gal Rogue's new series, written by him with art by Cliff Richards and Norm Rapmund and beautiful cover art by Rodolfo Migliari.
The story so far finds Rogue returning to her hometown Mississippi, in search of a young mutant's mom, but instead gets involved with searching for her own past. She finds out that her mother and father were involved with some cult to open a door to a dreamlike dimension called the Far Banks, only to find out that her mother crossed into the Far Banks vowing never to return.
And that's pretty much the normal stuff. There's a girl who looks just like Rogue running around. Campbell Saint-Ange is a handsome stranger who is immune to Rogue's power and claims to know her mother. Then, there's these strange wraiths that seem to attack Rogue and show an interest in her "twin." And let's not forget the cases of hysteria and derangement sweeping Mississippi.
It's an understatement to say that there's a lot going on in this story, but by issue three I was unsure where exactly this was all going, and if I cared to find out. But issue four brought a new element into the story that renewed my interest: Gambit.
This issue focused mainly on Gambit while Rogue doesn't really do anything new. Gambit, who was probably sick of wallowing in self-pity over his hopefully temporary blindness, decides to track down Rogue using his charm to hitch rides.
The issue ends with Gambit walking in on Rogue and Campbell in a motel room. No, it's not what it sounds like. Or is it? Let's just say I'm looking forward to the next issue...
The story so far finds Rogue returning to her hometown Mississippi, in search of a young mutant's mom, but instead gets involved with searching for her own past. She finds out that her mother and father were involved with some cult to open a door to a dreamlike dimension called the Far Banks, only to find out that her mother crossed into the Far Banks vowing never to return.
And that's pretty much the normal stuff. There's a girl who looks just like Rogue running around. Campbell Saint-Ange is a handsome stranger who is immune to Rogue's power and claims to know her mother. Then, there's these strange wraiths that seem to attack Rogue and show an interest in her "twin." And let's not forget the cases of hysteria and derangement sweeping Mississippi.
It's an understatement to say that there's a lot going on in this story, but by issue three I was unsure where exactly this was all going, and if I cared to find out. But issue four brought a new element into the story that renewed my interest: Gambit.
This issue focused mainly on Gambit while Rogue doesn't really do anything new. Gambit, who was probably sick of wallowing in self-pity over his hopefully temporary blindness, decides to track down Rogue using his charm to hitch rides.
The issue ends with Gambit walking in on Rogue and Campbell in a motel room. No, it's not what it sounds like. Or is it? Let's just say I'm looking forward to the next issue...
Friday, October 22, 2004
"Wings" on TV Land
TV Land is showing old "Wings" episodes from 5 to 8 PM every Friday night. "Wings" has got to be my favorite sitcom, and of course it stars a young Tim Daly. I remember watching it when it was on NBC. Those were the days...
Tune in right now and commence the laughing!
Tune in right now and commence the laughing!
Wednesday, October 20, 2004
Tim Daly's New Series
Tim Daly is starring in a new series called "Eyes," that will start midseason on ABC. Daly's Harlan Judd founder of Judd Risk Management, a "discreet, high-tech firm that handles cases with the highest possible stakes."
It will also star Garcelle Beauvais-Nilon, A.J. Langer, Laura Leighton, Eric Mabius, Rick Worthy, and Natalie Zea.
No exact release date was mentioned.
It will also star Garcelle Beauvais-Nilon, A.J. Langer, Laura Leighton, Eric Mabius, Rick Worthy, and Natalie Zea.
No exact release date was mentioned.
Monday, October 18, 2004
Spider-Man 2.5
That has to be the worst title ever. Except for X-Men 1.5 and Spider-Man 1.5. Those are pretty stupid too.
Spider-Man 2.5 the DVD will be released with new footage, but what's this? Sam Raimi said in an interview that he's happy with how Spider-Man 2 came out. So why the changes?
Money, pure and simple. Sony's making Raimi go and shoot new scenes so as to have a sound reason why anyone should buy two of essentially the same thing, only instead of having a new featurette on the joys of costume designing, or intern-getting-coffeeing, it will have new scenes that will somehow improve this masterpiece.
But messing with the actual film? That's wrong. Sony should call it Spider-Man 2 "Special Edition." I loathe the term "Special Edition," especially after Lucas slaughtered the once great Return of the Jedi, so you could say I'm a little biased.
So, the moral here is, if it ain't broke, then stay the @#*&! away from it.
Spider-Man 2.0 will be released on DVD November 30th, just in time for Christmas, which will be December 12th this year for no apparent reason.
Spider-Man 2.5 the DVD will be released with new footage, but what's this? Sam Raimi said in an interview that he's happy with how Spider-Man 2 came out. So why the changes?
Money, pure and simple. Sony's making Raimi go and shoot new scenes so as to have a sound reason why anyone should buy two of essentially the same thing, only instead of having a new featurette on the joys of costume designing, or intern-getting-coffeeing, it will have new scenes that will somehow improve this masterpiece.
But messing with the actual film? That's wrong. Sony should call it Spider-Man 2 "Special Edition." I loathe the term "Special Edition," especially after Lucas slaughtered the once great Return of the Jedi, so you could say I'm a little biased.
So, the moral here is, if it ain't broke, then stay the @#*&! away from it.
Spider-Man 2.0 will be released on DVD November 30th, just in time for Christmas, which will be December 12th this year for no apparent reason.
Sunday, October 17, 2004
Farscape's back!
Tonight's the first part of the Farscape mini-series on the SciFi Channel, tying up all the loose ends left by the series finale.
I got into Farscape back in 1999, when it first started and became a big fan of it, until about the third season where my interest waned because of weaker stories. But I watched the last half of the fourth (and final) season that rekindled my joy for Farscape.
I'm not surprised that the SciFi Channel would cancel this brillant series, given their current programming. Yes, I am talking about Frankenfish. They probably deleted it bacause they couldn't make a Farscape: Altantis spin-off.
Nevertheless, Farscape's back. Score one for the fans.
I got into Farscape back in 1999, when it first started and became a big fan of it, until about the third season where my interest waned because of weaker stories. But I watched the last half of the fourth (and final) season that rekindled my joy for Farscape.
I'm not surprised that the SciFi Channel would cancel this brillant series, given their current programming. Yes, I am talking about Frankenfish. They probably deleted it bacause they couldn't make a Farscape: Altantis spin-off.
Nevertheless, Farscape's back. Score one for the fans.
Saturday, October 16, 2004
Late Night Treat
If you're an insomniac who loves reading subtitles, then tune into TCM late Friday night for their "TCM Imports" movies.
Last week they showed "Jigokumon" or "Gate of Hell," about a samurai who obsesses over a lady whom is already married to one of the Emperor's favorite warlords. Unfortunately, I missed it, so I can't tell you how good it was.
But last night, or this morning if you really want to be technical about it, was the TCM debut of Robert Bresson's "Le Proces de Jeanne d'Arc" aka "The Trial of Joan of Arc." Using the actual transcripts, Bresson protrays a very accurate version of Joan of Arc's trial in little over an hour of film. I saw about half an hour of it before our electricity went out. So hopefully TCM will show it again so I can see all of it.
Next's week's movie will be Carl Theodor Dreyer's "Gertrud." For more information, check out TCM's official web site.
Last week they showed "Jigokumon" or "Gate of Hell," about a samurai who obsesses over a lady whom is already married to one of the Emperor's favorite warlords. Unfortunately, I missed it, so I can't tell you how good it was.
But last night, or this morning if you really want to be technical about it, was the TCM debut of Robert Bresson's "Le Proces de Jeanne d'Arc" aka "The Trial of Joan of Arc." Using the actual transcripts, Bresson protrays a very accurate version of Joan of Arc's trial in little over an hour of film. I saw about half an hour of it before our electricity went out. So hopefully TCM will show it again so I can see all of it.
Next's week's movie will be Carl Theodor Dreyer's "Gertrud." For more information, check out TCM's official web site.
Thursday, October 14, 2004
Comic Review: Street Fighter #10
This is a comic book that fans can usually only dream about.
Seriously.
The amount of detail that Ken Siu-Chong puts into each issue is amazing. He continues to fill the pages with not only the main characters everyone knows, but also the more obscure as well. Take this issue for example:
Page two features a cameo of Yun and Yang while most of the issue features SF Alpha's Master Gen, apparently Chun Li's old master.
This issue focuses on Fei Long and Chun Li as they track down Xiayu and Yanyu. Chong has put Bison's dolls, to good use especially all of the unplayable characters like Xiayu and Yanyu. While Juni, one of the only two playable dolls if you don't count Cammy, has made a few cameos, Juli, the other playable one, has yet to make her appearance, except on covers.
This issue also helps set up future clashes, including Cammy vs Chun Li as well as a rematch between Ken and Vega. This issue concludes with a small backstory with Master Gen and a young Chun Li, drawn by Andy Seto, who also drew a variant cover.
So, if you're a Street Fighter fan, I can't think of an excuse why you aren't out buying this issue, or the ones to come...
Seriously.
The amount of detail that Ken Siu-Chong puts into each issue is amazing. He continues to fill the pages with not only the main characters everyone knows, but also the more obscure as well. Take this issue for example:
Page two features a cameo of Yun and Yang while most of the issue features SF Alpha's Master Gen, apparently Chun Li's old master.
This issue focuses on Fei Long and Chun Li as they track down Xiayu and Yanyu. Chong has put Bison's dolls, to good use especially all of the unplayable characters like Xiayu and Yanyu. While Juni, one of the only two playable dolls if you don't count Cammy, has made a few cameos, Juli, the other playable one, has yet to make her appearance, except on covers.
This issue also helps set up future clashes, including Cammy vs Chun Li as well as a rematch between Ken and Vega. This issue concludes with a small backstory with Master Gen and a young Chun Li, drawn by Andy Seto, who also drew a variant cover.
So, if you're a Street Fighter fan, I can't think of an excuse why you aren't out buying this issue, or the ones to come...
Tuesday, October 12, 2004
Ultraman Tiga Update
Tody I got a response from the good people at the "Zstore," the official on-line store for FUNimation. To quickly summarize what they said, I would say that they didn't help me at all in finding out whether or not they plan on releasing the final 16 episodes of the "Ultraman Tiga" series. In fact, the last paragraph which was also the longest, went on and on about Dragonball Z DVD sets, which made me doubt that they even read my email.
But on the upside to this, I checked out amazon.com, which finally has a preorder page for volume four, stating its release for November 9th. This date usually changes so I expect it won't come out until mid-December. But at least it seems hopefully that they will at least be releasing it.
Which was all I wanted FUNimation to say in the email in the first place.
But on the upside to this, I checked out amazon.com, which finally has a preorder page for volume four, stating its release for November 9th. This date usually changes so I expect it won't come out until mid-December. But at least it seems hopefully that they will at least be releasing it.
Which was all I wanted FUNimation to say in the email in the first place.
Monday, October 11, 2004
Judex and Other Fun Facts
It's amazing what you can learn from TCM at one in the morning. Currently they're showing "Judex" a French silent film serial with the supposedly first superhero ever created. Or at least rich millionaire with a fetish for disguises who runs around in a hat and cape.
I wouldn't be surprised if the back of the DVD case claims that "Judex" (French for Justice) had inspired later-day heroes including the Shadow and Batman, but I find it unlikely that even in the 1930s, foreign silent films were all the rage.
I can't picture Bob Kane going to see this film and come out saying, "You know what? I want to write a story about a guy who dresses like a bat." But you never know.
In other late night news, last night our local WB affiliate was showing cult-favorite "The Adventures of Buckaroo Banzai Across the Eighth Dimension" from 2 AM to 3:30AM, which is funny considering that the movie's at least an hour and forty minutes long.
They must have cut at least a half an hour of the movie, leaving whoever is watching it one bewildered insomniac. They even cut out the part when Banzai kicks a red Lectroid in the groin. Classic stuff.
Have you have seen the Saint movie with Val Kilmer and Elisabeth Shue on network television? They cut off the last ten minutes of the film. No free cold fusion for everyone!
Am I getting to a point? Do I even have a point? Maybe. I'll get back to you on that.
I wouldn't be surprised if the back of the DVD case claims that "Judex" (French for Justice) had inspired later-day heroes including the Shadow and Batman, but I find it unlikely that even in the 1930s, foreign silent films were all the rage.
I can't picture Bob Kane going to see this film and come out saying, "You know what? I want to write a story about a guy who dresses like a bat." But you never know.
In other late night news, last night our local WB affiliate was showing cult-favorite "The Adventures of Buckaroo Banzai Across the Eighth Dimension" from 2 AM to 3:30AM, which is funny considering that the movie's at least an hour and forty minutes long.
They must have cut at least a half an hour of the movie, leaving whoever is watching it one bewildered insomniac. They even cut out the part when Banzai kicks a red Lectroid in the groin. Classic stuff.
Have you have seen the Saint movie with Val Kilmer and Elisabeth Shue on network television? They cut off the last ten minutes of the film. No free cold fusion for everyone!
Am I getting to a point? Do I even have a point? Maybe. I'll get back to you on that.
Sunday, October 10, 2004
The Ultimate Reality Show
Everyone's been cashing in on the election "craze" with beer commericals featuring fake debates and so on. So much in fact, thet it seems like they actually think people are going out and voting on the first Tuesday of November. (Which they should.) Which is a perfect time to launch a new reality show following President Bush and Senator Kerry on the road to the White House.
Yes, whatever's left of a private life will be exposed for an overly eager public that gets excited about practical anything expect the weather in the Artic. (It's cold there. All the time. That's why the Weather Channel never talks about it. That and the fact that no one lives there.) Cameras will be poking their noses into the every day struggles of our President and his opponent, as they run the most negative campaigns since (ahem) 2000.
Family members will be grilled on awkward and ultra-personal questions, while President Bush answers the question everyone wants to know: If you eat Heinz ketchup, are you some kind of Satan-worshiping, child-eating member of the liberal media? (According to Fox News... yes.)
In the end, I want everyone to watch these two candidates, one of whom will represent the USA for the next four years, and realize just how truly screwed we'll all be no matter who wins.
Yes, whatever's left of a private life will be exposed for an overly eager public that gets excited about practical anything expect the weather in the Artic. (It's cold there. All the time. That's why the Weather Channel never talks about it. That and the fact that no one lives there.) Cameras will be poking their noses into the every day struggles of our President and his opponent, as they run the most negative campaigns since (ahem) 2000.
Family members will be grilled on awkward and ultra-personal questions, while President Bush answers the question everyone wants to know: If you eat Heinz ketchup, are you some kind of Satan-worshiping, child-eating member of the liberal media? (According to Fox News... yes.)
In the end, I want everyone to watch these two candidates, one of whom will represent the USA for the next four years, and realize just how truly screwed we'll all be no matter who wins.
Saturday, October 09, 2004
Comic Review: Wolverine #20
Okay, so I pick up the latest issue of Wolverine with new series writer Mark Millar and super-cool artist John Romita Jr.
I don't want to ruin it for those of you who haven't read it, but what the heck. Apparently, Hydra's got control of Wolverine, and now he's loose in SHIELD HQ, and probably before this six-parter's over with, Wolvie's going to have to tangle with every super-hero in the Marvel Universe.
But this all seems so familar with me...
Let's see, a couple years ago, Erik Larsen (of Savage Dragon fame) started off his run on Wolverine, by having Wolvie's body possessed by some kind of alien and then he had to fight all sorts of super-heroes. Does that ring any bells?
Shame on you, Millar. The least you could do was wait a couple of years before reusing story ideas like Chris Claremont, who probably has it down to a fine art by now.
Oh, and the wrap-around cover and the last page splash? Super-cool. Keep up the good work, Romita!
I don't want to ruin it for those of you who haven't read it, but what the heck. Apparently, Hydra's got control of Wolverine, and now he's loose in SHIELD HQ, and probably before this six-parter's over with, Wolvie's going to have to tangle with every super-hero in the Marvel Universe.
But this all seems so familar with me...
Let's see, a couple years ago, Erik Larsen (of Savage Dragon fame) started off his run on Wolverine, by having Wolvie's body possessed by some kind of alien and then he had to fight all sorts of super-heroes. Does that ring any bells?
Shame on you, Millar. The least you could do was wait a couple of years before reusing story ideas like Chris Claremont, who probably has it down to a fine art by now.
Oh, and the wrap-around cover and the last page splash? Super-cool. Keep up the good work, Romita!
Thursday, October 07, 2004
Movie Review: Collateral
Michael Mann directed this film about a soft-spoken cabbie named Max (Jamie Foxx) who dreams of his own limo service when he picks up the wrong fare: a hitman (Tom Cruise). The two of them take a tour of LA as Cruise picks off his list of required hits.
While the premise of the movie sounds very ordinary and perhaps predictable, the movie thrives off of the interaction of Cruise and Foxx, jerky hand-held camera movements, and realistic lighting. LA almost becomes one of the characters in this movie, since the setting and atmosphere is what helps sell this film and engross the viewer.
What I was really surprised at was the tasteful use of violence and cursing. I personally was expecting a fowl-mouthed gore-fest considering the plot about the murderous Vincent. But we rarely see his "work," only at the dance club do we see why Vincent's the best in his business. There is some cursing but it seems to be used at right time.
The only thing more daring for Cruise to be the "bad guy" in the film was to dye his hair gray. But Cruise does a good job, transforming his pretty-boy image into that of the savage hitman. Through his talks with Max, we learn a little about Vincent's past but not a lot. Foxx, on the other hand, is stuck with a more typical quiet-working-man-who-gains-a-backbone-to-fight-back character.
The only real flaw with the movie is of the last ten minutes or so on the subway. There, you can find some movie cliches as Max moves from car to car to escape from Vincent.
But overall, with great acting and superb atmosphere, Collateral is definately worth your time.
While the premise of the movie sounds very ordinary and perhaps predictable, the movie thrives off of the interaction of Cruise and Foxx, jerky hand-held camera movements, and realistic lighting. LA almost becomes one of the characters in this movie, since the setting and atmosphere is what helps sell this film and engross the viewer.
What I was really surprised at was the tasteful use of violence and cursing. I personally was expecting a fowl-mouthed gore-fest considering the plot about the murderous Vincent. But we rarely see his "work," only at the dance club do we see why Vincent's the best in his business. There is some cursing but it seems to be used at right time.
The only thing more daring for Cruise to be the "bad guy" in the film was to dye his hair gray. But Cruise does a good job, transforming his pretty-boy image into that of the savage hitman. Through his talks with Max, we learn a little about Vincent's past but not a lot. Foxx, on the other hand, is stuck with a more typical quiet-working-man-who-gains-a-backbone-to-fight-back character.
The only real flaw with the movie is of the last ten minutes or so on the subway. There, you can find some movie cliches as Max moves from car to car to escape from Vincent.
But overall, with great acting and superb atmosphere, Collateral is definately worth your time.
Tuesday, October 05, 2004
Where's Ultraman Tiga?
Hey, FUNimation! Quit cashing those Dragonball Z checks, and release the final DVD set for Ultraman Tiga. While it's all nice that you've been pretty constant with the Tenchi GXP series, it's been months since Tiga volume 3 was released, and it seems that volume 4 is not coming out any time soon.
So, what's up with that? Your web site doesn't mention any troubles or if you've cancelled volume 4. All the commercials I have seen for the DVD sets make it sound like you've planned from the beginning to release all four volumes. So where's volume four?
We U.S. Tiga fans don't want an incomplete set, so please release the final set!
So, what's up with that? Your web site doesn't mention any troubles or if you've cancelled volume 4. All the commercials I have seen for the DVD sets make it sound like you've planned from the beginning to release all four volumes. So where's volume four?
We U.S. Tiga fans don't want an incomplete set, so please release the final set!
Sunday, October 03, 2004
Support Tim Daly!
If you didn't catch it yesterday, TNT's still showing "From the Earth to the Moon" miniseries which features an all-star cast including Tim Daly!
Blah blah blah emotional story of the Apollo missions. Blah blah Tom Hanks produced blah blab. Blah blah blah TIM DALY!
But seriously, if you got nothing better to do than watch television for twelve straight hours, then watch this miniseries.
Blah blah blah emotional story of the Apollo missions. Blah blah Tom Hanks produced blah blab. Blah blah blah TIM DALY!
But seriously, if you got nothing better to do than watch television for twelve straight hours, then watch this miniseries.
Saturday, October 02, 2004
DVD Review: TMNT The Original Series
When a new animated version of Eastman and Laird's indie comic book series about four mutant ninja turtles appeared a year or two ago, I checked it out for purely nostalgic reasons. While the stories were more loyal to the original material, I found it less entertaining than the original cartoon that I had grew up with. Part of it was I missed the original cast of Cam Clarke, Rob Paulsen, and the rest.
Finally, F.H.E., who must have desperately held onto the rights of the original since the 1980s, has released the first DVD of the original series. Contained in the DVD is the first five episodes, the usual five-part tv-movie/pilot that worked so well on other 80s cartoons. With them are four bonus episodes from the series' final season, supposedly unaired.
I was genuinely surprised on how entertaining the episodes are even after twenty years. The gags and wisecracks come a mile a minute so much in fact that you'd expect Roger Moore's Bond to appear at any second. ("April, you wouldn't last five minutes in a ninja pizzeria!") It's silly to the point of absurdity with machine gun-carrying grannies (from "Goldfinger?!") and hot-rodding interdimensional teenagers, but it's just pure fun.
The picture quality's above average, especially considering its age. The worst of the aging is in the main titles, but most of the actual episodes are clean. The animation itself is for the most part fairly detailed and probably the best the Turtles will look in the whole series. The sound quality's okay, but don't expect super Dolby 5.1 Surroundsound.
With no animated menus or even a booklet, the only effort they put into this DVD is a nice slipcover. It's nice they made an effort with the bonus episodes, but I would have preferred them putting in the episodes that came after the first five, instead of jumping to the end. Overall, this is a nice piece of my childhood which I happily embrace, and if you can find a copy for around ten bucks, it'd be worth your time as well.
Finally, F.H.E., who must have desperately held onto the rights of the original since the 1980s, has released the first DVD of the original series. Contained in the DVD is the first five episodes, the usual five-part tv-movie/pilot that worked so well on other 80s cartoons. With them are four bonus episodes from the series' final season, supposedly unaired.
I was genuinely surprised on how entertaining the episodes are even after twenty years. The gags and wisecracks come a mile a minute so much in fact that you'd expect Roger Moore's Bond to appear at any second. ("April, you wouldn't last five minutes in a ninja pizzeria!") It's silly to the point of absurdity with machine gun-carrying grannies (from "Goldfinger?!") and hot-rodding interdimensional teenagers, but it's just pure fun.
The picture quality's above average, especially considering its age. The worst of the aging is in the main titles, but most of the actual episodes are clean. The animation itself is for the most part fairly detailed and probably the best the Turtles will look in the whole series. The sound quality's okay, but don't expect super Dolby 5.1 Surroundsound.
With no animated menus or even a booklet, the only effort they put into this DVD is a nice slipcover. It's nice they made an effort with the bonus episodes, but I would have preferred them putting in the episodes that came after the first five, instead of jumping to the end. Overall, this is a nice piece of my childhood which I happily embrace, and if you can find a copy for around ten bucks, it'd be worth your time as well.
Wednesday, September 29, 2004
Comic Review: Daredevil #65 (445)
To celebrate the 40th anniversary of Daredevil, Marvel has released a double sized issue featuring different artists like Greg Horn, Chris Bachalo, P. Craig Russell, Michael Golden, with pin-ups by Jae Lee, David Finch, and Frank Quitely and a typical cover by Greg Land.
The story is a typical slow-pace story by current series writer Brian Bendis, focusing on the reactions of various super-heroes over the last year of developments in Matt Murdock's life including his recent secret identity troubles. Matt encounters Nick Fury, Spider-Man, Captain America, the Punisher, and Doctor Strange, who all give him advice and support (well, not the Punisher because, you know, he's homocidal.) in his time of crisis.
There are some fine art here by Russell and Bachalo as well as Golden whose interior art I haven't seen for some time now. But looking at Greg Horn's art I am reminded why I don't like CG-characters: the more "real" they try to make it look, the more inhuman and unrealistic it will look to me. But maybe that's just me.
Also, why are there no art from past Daredevil artists, like Scott McDaniel, Ron Wagner, or Cary Nord? (It was after all Nord's detailed art that drew me to Dardevil all those years ago.)
As for the story, it's well-written and up to standards, but having already read the last year or so of Daredevil issues, I wish that this had moved along the story in some way instead of this retrospective view of events that have already happened.
So, the anniversary issue really covers no new ground for DD fans, but it has a nicely written story with some cool, and not-so-cool, art. I guess it just depends if you want to shell out the $3.99.
The story is a typical slow-pace story by current series writer Brian Bendis, focusing on the reactions of various super-heroes over the last year of developments in Matt Murdock's life including his recent secret identity troubles. Matt encounters Nick Fury, Spider-Man, Captain America, the Punisher, and Doctor Strange, who all give him advice and support (well, not the Punisher because, you know, he's homocidal.) in his time of crisis.
There are some fine art here by Russell and Bachalo as well as Golden whose interior art I haven't seen for some time now. But looking at Greg Horn's art I am reminded why I don't like CG-characters: the more "real" they try to make it look, the more inhuman and unrealistic it will look to me. But maybe that's just me.
Also, why are there no art from past Daredevil artists, like Scott McDaniel, Ron Wagner, or Cary Nord? (It was after all Nord's detailed art that drew me to Dardevil all those years ago.)
As for the story, it's well-written and up to standards, but having already read the last year or so of Daredevil issues, I wish that this had moved along the story in some way instead of this retrospective view of events that have already happened.
So, the anniversary issue really covers no new ground for DD fans, but it has a nicely written story with some cool, and not-so-cool, art. I guess it just depends if you want to shell out the $3.99.
Monday, September 27, 2004
Character Profile: Christine Adler
It is said that her birth was one of the worst in 1863. Not only did her mother die while in childbirth, but also two nurses as well. Rumors persist that it was her father, Her Majesty's Royal Gene-Doctor Essex Adler, who personally slit their wrists in an attempt to keep his beloved wife alive.
Essex was disappointed that his gene-charts were wrong and didn't get the perfect son he wanted, but was left with a highly-flawed daughter. Christine was born with a very rare eye condition, so rare that there was no name for it. Her red-veined eyes were very sensitive to the light, but in the dark she could see twice as good, making out clear outlines that others could not.
Because of her disposition, she is rarely seen in social circles, and is often working with her father in his gene-labeling. Her skin is a pale flesh color, because of the amount of time she spends in her father's darken laboratory, drawing out long lines of genetic heritage.
Now, as the New Century approaches and the Ripper stalks the weak, Essex forced Christine to cut her copper hair and wear a man's frock. Her father believes that the Ripper seeks to execute the distant female descendants of people like Alexander the Great and Julius Ceasar, and that his daughter, the latest in the long line of great Adlers, will be one of his targets.
Christine Adler will be the main character in the new non-linear sequel to the popular, yet unpublished, Adler short story: "God is Dead." She will face a creature of the New Century and try to answer the question: Whatever happened to Detective First Class Scott Adler of the 21st Century?
Essex was disappointed that his gene-charts were wrong and didn't get the perfect son he wanted, but was left with a highly-flawed daughter. Christine was born with a very rare eye condition, so rare that there was no name for it. Her red-veined eyes were very sensitive to the light, but in the dark she could see twice as good, making out clear outlines that others could not.
Because of her disposition, she is rarely seen in social circles, and is often working with her father in his gene-labeling. Her skin is a pale flesh color, because of the amount of time she spends in her father's darken laboratory, drawing out long lines of genetic heritage.
Now, as the New Century approaches and the Ripper stalks the weak, Essex forced Christine to cut her copper hair and wear a man's frock. Her father believes that the Ripper seeks to execute the distant female descendants of people like Alexander the Great and Julius Ceasar, and that his daughter, the latest in the long line of great Adlers, will be one of his targets.
Christine Adler will be the main character in the new non-linear sequel to the popular, yet unpublished, Adler short story: "God is Dead." She will face a creature of the New Century and try to answer the question: Whatever happened to Detective First Class Scott Adler of the 21st Century?
Novel Update
I've just finished some more of my novel last week: an interlude, chapter six, and chapter seven. (Though 7 might be added into chapter six) Now, I'm looking over these new additions with some friends to get some feedback and corrections.
I also submitted one of my short stories, the first of the Adler series, to "Fresh Boiled Peanuts" a relatively new magazine that might increase my chances of getting published. One of my friends, who patiently re-reads all of my Sara stuff, also sent in one of his poems. So, the best of luck to both of us.
I also submitted one of my short stories, the first of the Adler series, to "Fresh Boiled Peanuts" a relatively new magazine that might increase my chances of getting published. One of my friends, who patiently re-reads all of my Sara stuff, also sent in one of his poems. So, the best of luck to both of us.
Saturday, September 25, 2004
Fantastic Four movie
The first photos of the cast from the new Fantastic Four movie have started to circulate throughout the web. I was a little unsure at first when I heard about the cast: Ioan Gruffudd as Reed Richards, Jessica Alba as Susan Storm, Chris Evans as Johnny Storm, and Michael Chiklis as Ben Grimm. Julian McMahon has supposedly been cast as Doc Doom but no image as been released yet of what he'll look like.
But looking at them in their navy costumes, well, they do look like the Fantastic Four, except that Johnny's apparently not going to be blonde. Gruffudd looks the most like his comic alter-ego straight down to the graying temples, while Alba looks more super-model than super-hero. And for all you anti-computer generated Hulk people, it looks like Chiklis will be wearing a Thing suit.
Of course, I haven't seen anything yet about how their powers will turn out on the big screen, or even the plot, but this seems to be a promising beginning. Supposedly, the overall feel of the movie is based more the updated "Ultimate FF" than the regular long-standing series. The movie's should be coming out summer 2005, and you can check out the pictures yourself at either Comics Continuum or Super Hero Hype.
But looking at them in their navy costumes, well, they do look like the Fantastic Four, except that Johnny's apparently not going to be blonde. Gruffudd looks the most like his comic alter-ego straight down to the graying temples, while Alba looks more super-model than super-hero. And for all you anti-computer generated Hulk people, it looks like Chiklis will be wearing a Thing suit.
Of course, I haven't seen anything yet about how their powers will turn out on the big screen, or even the plot, but this seems to be a promising beginning. Supposedly, the overall feel of the movie is based more the updated "Ultimate FF" than the regular long-standing series. The movie's should be coming out summer 2005, and you can check out the pictures yourself at either Comics Continuum or Super Hero Hype.
Wednesday, September 22, 2004
Comic Review: Astonishing X-Men #5
I didn't know that the "ratings" were so bad that Whedon had to resort to resurrecting an X-Men to get people to read his not-quite-above-average series. The only thing that has stand out in the new series so far is John Cassaday's near perfect pencils.
The story is more of the same from last issue: The X-Men have infriltrated this facility where a "cure" for mutants is being made. Cyclops is still been shot, and doesn't do much except lay on the floor and talk some. But the issue makes up for that with four smashing panels of Wolverine kicking butt. It all ends with Colossus, fresh from the dead, beating up the alien villain who seems like a carbon copy of everyone who's come before.
I guess this is THE issue for Colossus fans, since he's back even as just a lame publicity stunt. If you've liked the last issue then you'll like this one just as much. As for me, with next month being the end of the first "story-arc" I hope that means John Cassaday will be going back to do some Planetary issues, and then I can spend my money on something better. Sorry Whedon. You're no Morrison, but if it makes you feel better, you're at least more entertaining than Chris Claremont.
The story is more of the same from last issue: The X-Men have infriltrated this facility where a "cure" for mutants is being made. Cyclops is still been shot, and doesn't do much except lay on the floor and talk some. But the issue makes up for that with four smashing panels of Wolverine kicking butt. It all ends with Colossus, fresh from the dead, beating up the alien villain who seems like a carbon copy of everyone who's come before.
I guess this is THE issue for Colossus fans, since he's back even as just a lame publicity stunt. If you've liked the last issue then you'll like this one just as much. As for me, with next month being the end of the first "story-arc" I hope that means John Cassaday will be going back to do some Planetary issues, and then I can spend my money on something better. Sorry Whedon. You're no Morrison, but if it makes you feel better, you're at least more entertaining than Chris Claremont.
Tuesday, September 21, 2004
Book Review: Thuvia, Maid of Mars
Being the fourth book of the John Carter of Mars, Edgar Rice Burroughs changed direction and had the story focused on Carthoris, son of John Carter, while the hero of the first three novels was barely in three paragraphs of the whole books.
The story is about Carthoris' undying love for Thuvia, princess of Ptarth, who was betrothed to another, but before you can say "soap opera" the blackguard Astok kidnaps the princess and frames Carthoris. Now, Carthoris must find Thuvia to clear his name, stop impeding war between their countries, and declare his love even though she might not return it.
A good deal of the book is spent with Carthoris and Thuvia in the lost city of Lothar. There ERB introduces the reader to the very interesting theories of the etherealist and the realist. I'd go more into this, but I'd probably ruin the mystery of the phantom bowmen. There's many tight spots and valiant battles that lead up to a happy ending as usual.
While there is no John Carter or Dejah Thoris, Carthoris is very similar his father and being a supporting character in previous books, it's nice to see him in the spotlight. Besides being kidnapped frequently, Thuvia is still an intelligent, independent woman just like many other ERB women. While it didn't give me same page-turning obsession of the past books, it's still a fun book to read on a Saturday afternoon.
The story is about Carthoris' undying love for Thuvia, princess of Ptarth, who was betrothed to another, but before you can say "soap opera" the blackguard Astok kidnaps the princess and frames Carthoris. Now, Carthoris must find Thuvia to clear his name, stop impeding war between their countries, and declare his love even though she might not return it.
A good deal of the book is spent with Carthoris and Thuvia in the lost city of Lothar. There ERB introduces the reader to the very interesting theories of the etherealist and the realist. I'd go more into this, but I'd probably ruin the mystery of the phantom bowmen. There's many tight spots and valiant battles that lead up to a happy ending as usual.
While there is no John Carter or Dejah Thoris, Carthoris is very similar his father and being a supporting character in previous books, it's nice to see him in the spotlight. Besides being kidnapped frequently, Thuvia is still an intelligent, independent woman just like many other ERB women. While it didn't give me same page-turning obsession of the past books, it's still a fun book to read on a Saturday afternoon.
Saturday, September 18, 2004
FBI Warning of Doom
Today the Federal Bureau of Investigation has demanded that every citizen in the United States bring all of their CDs, DVDs, and other media products to the nearest FBI building to have each of them stamped with the new FBI anti-piracy seal.
Recently, CDs and DVDs now bear the FBI's seal against piracy to ward teens who read labels away from the evils of Napster. But this wasn't enough for the Director of the Federal Bureau of Investigation.
"We were very proud with the design and quick to put it on all new DVDs and CDs, even including film scores that no one buys," remarked the Director at the press conference held this morning.
"But we ran into a problem. We were informed by the NSA that there's literally hundreds of CDs alone that have been previously released without our seal." So, the FBI requires that all US citizens bring in all of their CDs and DVDs that bear no FBI seal to be stamped at once.
"This is to ensure that these digital pirates get the message that corpor- er, our government does not tolerate this kind of free spirited capitalism," stated the Director. "If placing a large seal that serves no practical purpose other than to ruin the overall design scheme of CD or DVD will detract criminal activities, then so be it."
The FBI Director had one more statement to address America's youth, "Remember kids. Downloading music to avoid paying over-inflated prices is wrong. To continue to do so, will certainly lead to an impending victory for Terrorism."
Recently, CDs and DVDs now bear the FBI's seal against piracy to ward teens who read labels away from the evils of Napster. But this wasn't enough for the Director of the Federal Bureau of Investigation.
"We were very proud with the design and quick to put it on all new DVDs and CDs, even including film scores that no one buys," remarked the Director at the press conference held this morning.
"But we ran into a problem. We were informed by the NSA that there's literally hundreds of CDs alone that have been previously released without our seal." So, the FBI requires that all US citizens bring in all of their CDs and DVDs that bear no FBI seal to be stamped at once.
"This is to ensure that these digital pirates get the message that corpor- er, our government does not tolerate this kind of free spirited capitalism," stated the Director. "If placing a large seal that serves no practical purpose other than to ruin the overall design scheme of CD or DVD will detract criminal activities, then so be it."
The FBI Director had one more statement to address America's youth, "Remember kids. Downloading music to avoid paying over-inflated prices is wrong. To continue to do so, will certainly lead to an impending victory for Terrorism."
Wednesday, September 15, 2004
Comic Review: X-Men #161
I forget how refreshing Chuck Austen's run on "X-Men" really is until I dive into the newest issue. Austen took over writing "X-Men" after Grant Morrison finished his grand "New X-Men" saga, and what a task that would be if Austen hadn't already been writing "Uncanny X-Men" during Grant's run on the sibling series.
"Heroes and Villians Part One of Four" starts off introducing a brand new Brotherhood of Mutants featuring Exodus in new duds, Sabretooth in old duds, Avalanche from wherever he's been for the last four years, Mammomax who's either new or really obscure, Noctune who I'm assuming is a Nightcrawler "clone" from that whole Draco thing, and Black Tom in all his mossyness.
Thus begins the story with a bang as the X-Men fight off the Brotherhood, saving innocent bystanders as usual. The fight was good, but I felt that it was nothing really different than any other slugfest Austen has written so far. Having driven the Brotherhood off, the X-Men return to base to resume their complex relationships and angst-driven lives.
Here is where I think Austen excels. He writes the X-Men as humans, regular people. Juggernaut's gotten more depth in the three years Austen has written him than, well, ever. I enjoy watching them interact with none of Chris Claremont's staleness and drone-like dialogue. One thing I think Austen should watch out for is Gambit. I'm getting sick of him whining about being blind and blaming Rogue for it. This seems out of character for him.
Salvador Larroca has drawn another excellent issue with his flair for details and clean art. Though sometimes I worry that Larroca will cross the line, like Greg Horn and Greg Land, when some day everyone he draws will look like airbrushed super models.
Overall, it's more greatness from the team of Austen and Larroca. I can't wait for the next issue what with one of the X-Men being a traitor and all. But have faith, I don't think that things are exactly what it seems.
"Heroes and Villians Part One of Four" starts off introducing a brand new Brotherhood of Mutants featuring Exodus in new duds, Sabretooth in old duds, Avalanche from wherever he's been for the last four years, Mammomax who's either new or really obscure, Noctune who I'm assuming is a Nightcrawler "clone" from that whole Draco thing, and Black Tom in all his mossyness.
Thus begins the story with a bang as the X-Men fight off the Brotherhood, saving innocent bystanders as usual. The fight was good, but I felt that it was nothing really different than any other slugfest Austen has written so far. Having driven the Brotherhood off, the X-Men return to base to resume their complex relationships and angst-driven lives.
Here is where I think Austen excels. He writes the X-Men as humans, regular people. Juggernaut's gotten more depth in the three years Austen has written him than, well, ever. I enjoy watching them interact with none of Chris Claremont's staleness and drone-like dialogue. One thing I think Austen should watch out for is Gambit. I'm getting sick of him whining about being blind and blaming Rogue for it. This seems out of character for him.
Salvador Larroca has drawn another excellent issue with his flair for details and clean art. Though sometimes I worry that Larroca will cross the line, like Greg Horn and Greg Land, when some day everyone he draws will look like airbrushed super models.
Overall, it's more greatness from the team of Austen and Larroca. I can't wait for the next issue what with one of the X-Men being a traitor and all. But have faith, I don't think that things are exactly what it seems.
Tuesday, September 14, 2004
Coolest Actor Ever
Tim Daly rocks.
I'm sure that I can say that with the utter most confidence, because who doesn't like the "Wings" alumni? Sure, Tony Shalhoub's the one with the new, successful series (which Tim Daly did guest star on!) but Daly has been doing movies like the (ahem) highly acclaimed "Basic" with John Travolta and award-winning "Against the Ropes" with Shalhoub and someone called Meg Ryan...
And don't you remember awhile back when he guest starred on "Judging Amy" where Tim got to work with his sister Tyne Daly? Or "Wilder Days" with Peter Falk? Then, there was the short lived "Fugitive" series, which I really liked, which was canceled by CBS in favor of some show called CSI.
Nowadays, he's starring (and co-directing) in "Bereft" which showed at the Tribeca Film Festival. More importantly, he's returning to TV in the new ABC series "Eyes" coming out sometime in the next year...
I've said it before and I'll say it again: Tim Daly rocks. And hopefully will continue to rock for a long time.
I'm sure that I can say that with the utter most confidence, because who doesn't like the "Wings" alumni? Sure, Tony Shalhoub's the one with the new, successful series (which Tim Daly did guest star on!) but Daly has been doing movies like the (ahem) highly acclaimed "Basic" with John Travolta and award-winning "Against the Ropes" with Shalhoub and someone called Meg Ryan...
And don't you remember awhile back when he guest starred on "Judging Amy" where Tim got to work with his sister Tyne Daly? Or "Wilder Days" with Peter Falk? Then, there was the short lived "Fugitive" series, which I really liked, which was canceled by CBS in favor of some show called CSI.
Nowadays, he's starring (and co-directing) in "Bereft" which showed at the Tribeca Film Festival. More importantly, he's returning to TV in the new ABC series "Eyes" coming out sometime in the next year...
I've said it before and I'll say it again: Tim Daly rocks. And hopefully will continue to rock for a long time.
Friday, September 10, 2004
Character Profile: Deputy Rian
Rian was born on a farm-state on the planet Nagosti. He worked hard on the farm while his father taught him ways of the trade as his mother educated him with manners and speech. When he was of the right age, he was to go the nearest Initiative Center where he would chose a career and undergo the ritual to be bonded with the tegarei of his choice.
But his choice was soon made for him. Shortly before he left, a group of disorderly off-worlders had wandered onto the farm and accidently caused the destruction of the farm. While no one was harmed, he decided to become a Security Officer, rather than a farmer. And after a year of training, he returned from the ancient Ritual of Destiny, bearing the crimson tegarei of the Security Branch.
Soon after, Security Chief Violeen would retire and promote her deputy Keann to fill the position. This made her the third most powerful Nagostian on the planet, after Mother, leader of all, and the newly initated Sara, Ambassador of Harmony and the only honorary Nagostian. Some say that Keann was resentful that if Sara had undergone her own Ritual of Destiny weeks later, then Keann would have been Mother's favorite.
But what really matters is that Keann had to appoint a new deputy as her second. She searched through all of the academies. None of the candidates pleased her, no matter how experienced they were. It was only a matter of chance that Keann would stumble upon Rian. Rian had been called in to subdue some rioting off-worlders, protesting about Nagostian policy of neutrality.
No one knows why she offered him the position after seeing him in action. Her only response to questions refering to the moment were vague like, "He seemed to have potential."
Now, Rian is the deputy officer answering only to Keann herself. His youth sometimes clouds his judgements, but his instincts are a hundred percent accurate. Oddly enough, he is very friendly with Sara's human friend, Zoey and is happy to find that not all off-worlders are as bad as he thought.
But his choice was soon made for him. Shortly before he left, a group of disorderly off-worlders had wandered onto the farm and accidently caused the destruction of the farm. While no one was harmed, he decided to become a Security Officer, rather than a farmer. And after a year of training, he returned from the ancient Ritual of Destiny, bearing the crimson tegarei of the Security Branch.
Soon after, Security Chief Violeen would retire and promote her deputy Keann to fill the position. This made her the third most powerful Nagostian on the planet, after Mother, leader of all, and the newly initated Sara, Ambassador of Harmony and the only honorary Nagostian. Some say that Keann was resentful that if Sara had undergone her own Ritual of Destiny weeks later, then Keann would have been Mother's favorite.
But what really matters is that Keann had to appoint a new deputy as her second. She searched through all of the academies. None of the candidates pleased her, no matter how experienced they were. It was only a matter of chance that Keann would stumble upon Rian. Rian had been called in to subdue some rioting off-worlders, protesting about Nagostian policy of neutrality.
No one knows why she offered him the position after seeing him in action. Her only response to questions refering to the moment were vague like, "He seemed to have potential."
Now, Rian is the deputy officer answering only to Keann herself. His youth sometimes clouds his judgements, but his instincts are a hundred percent accurate. Oddly enough, he is very friendly with Sara's human friend, Zoey and is happy to find that not all off-worlders are as bad as he thought.
Thursday, September 02, 2004
Dear Chris Claremont...
Why does Marvel keep bringing you back to X-Men time after time? Sure, your seven year run on X-Men is "highly acclaimed" even though halfway through that run you started recycling plotlines. And the Brood? Barely disguised "Alien" rip-offs, complete with a queen Brood and the whole implanting eggs thing.
Why do I bring this up? Because I have just read the current issue of Uncanny X-Men (#448) with your usually snappy title of "Guess Who's Back in Town?" While it lacks your traditional over-explanation of everything, it's reeks of old plots. You brought back Murderworld, (notice how other X-Scribes don't actually use Murderworld while this is like the tenth time you've used it) but wait! It's owned by Viper now. How original!
And what's your deranged obsession with Viper, complete with new, skimpy outfit. Your convoluted four issue run on Wolverine (#125-128) where your uninspiring cliffhanger was that Wolvie was married to Viper. It took me years of therapy to forget about those four issues. The only good thing about that run was that somehow Wolvie's brown costume got resurrected for two issues...
And what's your obsession with marrying off Wolverine? (See Wolverine/Witchblade crossover) Anyway, we all know that you won't kill off Sage either. You don't have the guts to kill off your protege mentat-mutant, who you've been grooming for a spot on the X-Roster for thirty years.
I personally am only reading your issues, because Alan Davis' beautiful art is simply irrestible. God knows how I've tried to stop, what with your barely exciting four-parter that shames Alan Moore's creation, the Fury. At least, you haven't started using your typical opening whereas villain of the month "kills" the X-Men, only to be revealed that they were robots. Wow, gripping stuff!
In conclusion, you're just like Stephen King: You haven't written something original since 1992. Just go away and live off the royalities, while some young writers get a chance to write for Marvel's mutants. Please, for the sake of the children.
Why do I bring this up? Because I have just read the current issue of Uncanny X-Men (#448) with your usually snappy title of "Guess Who's Back in Town?" While it lacks your traditional over-explanation of everything, it's reeks of old plots. You brought back Murderworld, (notice how other X-Scribes don't actually use Murderworld while this is like the tenth time you've used it) but wait! It's owned by Viper now. How original!
And what's your deranged obsession with Viper, complete with new, skimpy outfit. Your convoluted four issue run on Wolverine (#125-128) where your uninspiring cliffhanger was that Wolvie was married to Viper. It took me years of therapy to forget about those four issues. The only good thing about that run was that somehow Wolvie's brown costume got resurrected for two issues...
And what's your obsession with marrying off Wolverine? (See Wolverine/Witchblade crossover) Anyway, we all know that you won't kill off Sage either. You don't have the guts to kill off your protege mentat-mutant, who you've been grooming for a spot on the X-Roster for thirty years.
I personally am only reading your issues, because Alan Davis' beautiful art is simply irrestible. God knows how I've tried to stop, what with your barely exciting four-parter that shames Alan Moore's creation, the Fury. At least, you haven't started using your typical opening whereas villain of the month "kills" the X-Men, only to be revealed that they were robots. Wow, gripping stuff!
In conclusion, you're just like Stephen King: You haven't written something original since 1992. Just go away and live off the royalities, while some young writers get a chance to write for Marvel's mutants. Please, for the sake of the children.
Monday, August 30, 2004
Comic Review: WE3 (1 of 3)
This unique Vertigo mini-series has reunited the team of writer Grant Morrison and artist Frank Quitely, who had recently teamed up for the New X-Men series, that is, when Quitely was around to draw it. The story contains Grant's usually flair of imaginative storytelling and subtle humor with Quitely's clear, detailed art.
The story focuses on these animal "biorgs" created by the government, but when the goverment wants to mass produce the biorgs, they want to "retire" the three original living weapons: Bandit the dog, Tinker the cat, and Pirate the rabbit. Their "creator" Roseanne Berry doesn't agree with this and sets them free. Now, the biorgs are on the run, looking for "Home."
I was very surprised on how much Grant relied on images instead of dialogue. The first ten pages have no sound at all, giving the story a cinematic feel with Quitely's realistic art. But the dialogue that is present is standard Grantism, like "What kind of lunatic would teach a killing machine to talk?" Also, the biorgs' kitschy dialogue is very fresh: "I. M. Gud. R. U. Gud 2?" It's worth it just to see the security camera sequence. This original mini-series is a nice change from Grant's less "user-friendly" series, The Filth, and it will not disappoint.
The story focuses on these animal "biorgs" created by the government, but when the goverment wants to mass produce the biorgs, they want to "retire" the three original living weapons: Bandit the dog, Tinker the cat, and Pirate the rabbit. Their "creator" Roseanne Berry doesn't agree with this and sets them free. Now, the biorgs are on the run, looking for "Home."
I was very surprised on how much Grant relied on images instead of dialogue. The first ten pages have no sound at all, giving the story a cinematic feel with Quitely's realistic art. But the dialogue that is present is standard Grantism, like "What kind of lunatic would teach a killing machine to talk?" Also, the biorgs' kitschy dialogue is very fresh: "I. M. Gud. R. U. Gud 2?" It's worth it just to see the security camera sequence. This original mini-series is a nice change from Grant's less "user-friendly" series, The Filth, and it will not disappoint.
Saturday, August 28, 2004
Death and the American Comic Book
Death is nothing but a joke in comic books. Well, there are moments when there is a poignant death scene as a supporting character dies to inspire the hero, but for the most point, villains go back and forth through the revolving door of death faster than you can say, "Super-hero Stereotypes!" Of course, it's hard to keep a good superhero down as well, especially if you're an mutant. Magneto'll be back somehow, even after New X-Scribe, Grant Morrison had Wolverine beheaded ol' Magers, just after the fiend had killed resident resurrectionist, Phoenix. (Of course, Phoenix's coming back to life in a new mini-series coming out in a couple months.) I suppose it's ironic that I use that as my example, since that the whole message of that story was about bring people back to life. Grant had killed Magers off in his second issue. Magneto reappears in the one of his last "story-arcs" as he sheds his Xorn disguise. As the X-Men defeated him physically, Professor X informs Maggie that he has already lost, since he was more effective dead, as a martyr. Which I assume was a message Grant was trying to tell the comic industry. Or I could be reading into it too much; it is just a comic book.
Anyway, death is now used as hype, a selling point. Both Marvel's 500th issue of The Avengers and DC's Identity Crisis advertised that a member of the team will die. (Which one? Buy the issue to find out!) Skimming the issues and the Internet, it seems that Ant-Man of the Avengers, though Vision wasn't looking too hot either, and a wife of one of more obscure Justice Leaguers are on the death count. The two companies must figure that if they kill off less significant characters, then they'll get their cheap "ratings" ploy and have a smaller chance that someone will bring the character back.
Part of it is that the companies seem to never stick up for their choices. Take example the infamous Hal Jordan debacle. Becoming middle-aged in the middle 90s, Hal's sales as Green Lantern were dropping, so they replace him with a hip, young Kyle Rayner, who's about average in every sort of way, with no real vices or virtues. Hal, meanwhile, was written crazy and became a villain, in which all the Jordan fans in the world cried "Foul Play!" So, they gave him an honorable death, rekindling the DC's sun, only to be revived years later as the Spectre. And after the highly intellectual and spiritual series got canceled, and I had started liking Hal as the Spectre, DC is now bring back Hal as Green Lantern, in a mini-series that will no doubt lead to a new GL series.
So, what is all this ranting really mean? I think that if a company wants to kill a character, big or small, they should keep them dead. Bringing them back only lesses whatever impact their death has to the reader. Grant was right when saying sometimes it's better to leave a character dead no matter how popular they were. Death just shouldn't be some PR stunt to increase sales either. That's something they'd do for a television show, and comic books are much better than that. Usually. So, stick to your guns when you next make a decision, Marvel and DC, and if you have to kill someone off, making it meaningful. Oh, and stay away from my favorite characters.
Anyway, death is now used as hype, a selling point. Both Marvel's 500th issue of The Avengers and DC's Identity Crisis advertised that a member of the team will die. (Which one? Buy the issue to find out!) Skimming the issues and the Internet, it seems that Ant-Man of the Avengers, though Vision wasn't looking too hot either, and a wife of one of more obscure Justice Leaguers are on the death count. The two companies must figure that if they kill off less significant characters, then they'll get their cheap "ratings" ploy and have a smaller chance that someone will bring the character back.
Part of it is that the companies seem to never stick up for their choices. Take example the infamous Hal Jordan debacle. Becoming middle-aged in the middle 90s, Hal's sales as Green Lantern were dropping, so they replace him with a hip, young Kyle Rayner, who's about average in every sort of way, with no real vices or virtues. Hal, meanwhile, was written crazy and became a villain, in which all the Jordan fans in the world cried "Foul Play!" So, they gave him an honorable death, rekindling the DC's sun, only to be revived years later as the Spectre. And after the highly intellectual and spiritual series got canceled, and I had started liking Hal as the Spectre, DC is now bring back Hal as Green Lantern, in a mini-series that will no doubt lead to a new GL series.
So, what is all this ranting really mean? I think that if a company wants to kill a character, big or small, they should keep them dead. Bringing them back only lesses whatever impact their death has to the reader. Grant was right when saying sometimes it's better to leave a character dead no matter how popular they were. Death just shouldn't be some PR stunt to increase sales either. That's something they'd do for a television show, and comic books are much better than that. Usually. So, stick to your guns when you next make a decision, Marvel and DC, and if you have to kill someone off, making it meaningful. Oh, and stay away from my favorite characters.
Wednesday, August 25, 2004
Character Profile: Agent Kenji Kawasawa
Agent Kawasawa was born in Asia's capital-island of Japan in the Twenty Sixth Century. [Specific date unknown] He was recuited at the age of seven to be trained for the army's "special units." He served as a multi-tasking assassin until the age of sixteen, when the United States seduced him to defect with dreams of legalized drugs and pop-tart music. [Note: This United States is in no way connected to the USA of Twentieth Century lore. The present US inhabits the upper region of the American continent where Canada was once located. Both the region of 'North America' and most of Africa are radiated waste deserts, uninhabitable except for the deranged wildlife.]
He still wears the citizenship mark of Japan on the back of his neck. A woman, with a fetish for bizarre tattoos, asked to see it, and Kawasawa calmly pulled out his gun and shot his soon-to-be fiancee in the head, before paying the check and leaving the restaurant.
Despite Kawasawa's sloppy appearance, he has one of the most analytical minds in the United States' black ops division, commanded by Bert Falconer. Falconer was the one who noticed Kawasawa's potential and devised he plan to smuggle Kawasawa to the United States. It is said that all of Kawasawa's free time is spent writing complex reports on everything from the mental stability of other agents to the current budget. These reports are the only way Kawasawa can keep sane and not over-analyize everything.
It was Kawasawa's throughness that brought Sara to Falconer's attention. Kawasawa would routinely go to mental asylums to look for new candidates to work as assassins in the black ops. There, he found Sara, brought in for claiming she was an alien from another universe. After a single blood test, he found out that she really was an alien, and discussed with his boss what they should do. There had been recent outbreaks in extraterrestrial activities on Earth, and with an alien working for them, Falconer thought that he could easily get his hands on some alien technology while defending the United States.
So, Kawasawa used the threat of leaving her in the asylum as a lever against Sara to join the black ops group. She relucantly accepted, seeing this as her only way to even temporary freedom, and in three short days, found out how badly her personal beliefs clashed with the brutal black ops' m.o. In roughly a year, she would eventual get the true freedom she wanted, escaping to the stars.
While Sara had been working with the black ops, Kawasawa had continously filed reports on nothing but Sara. It had seemed that Kawasawa had become obsessed with her, or at least analyizing her. Some agents thought he was infatuated with her. But make no mistakes about it, deep in his heart, Kenji Kawasawa has nothing but contempt and hate for the peaceful Sara.
He still wears the citizenship mark of Japan on the back of his neck. A woman, with a fetish for bizarre tattoos, asked to see it, and Kawasawa calmly pulled out his gun and shot his soon-to-be fiancee in the head, before paying the check and leaving the restaurant.
Despite Kawasawa's sloppy appearance, he has one of the most analytical minds in the United States' black ops division, commanded by Bert Falconer. Falconer was the one who noticed Kawasawa's potential and devised he plan to smuggle Kawasawa to the United States. It is said that all of Kawasawa's free time is spent writing complex reports on everything from the mental stability of other agents to the current budget. These reports are the only way Kawasawa can keep sane and not over-analyize everything.
It was Kawasawa's throughness that brought Sara to Falconer's attention. Kawasawa would routinely go to mental asylums to look for new candidates to work as assassins in the black ops. There, he found Sara, brought in for claiming she was an alien from another universe. After a single blood test, he found out that she really was an alien, and discussed with his boss what they should do. There had been recent outbreaks in extraterrestrial activities on Earth, and with an alien working for them, Falconer thought that he could easily get his hands on some alien technology while defending the United States.
So, Kawasawa used the threat of leaving her in the asylum as a lever against Sara to join the black ops group. She relucantly accepted, seeing this as her only way to even temporary freedom, and in three short days, found out how badly her personal beliefs clashed with the brutal black ops' m.o. In roughly a year, she would eventual get the true freedom she wanted, escaping to the stars.
While Sara had been working with the black ops, Kawasawa had continously filed reports on nothing but Sara. It had seemed that Kawasawa had become obsessed with her, or at least analyizing her. Some agents thought he was infatuated with her. But make no mistakes about it, deep in his heart, Kenji Kawasawa has nothing but contempt and hate for the peaceful Sara.
Monday, August 23, 2004
My Novel
What kind of writer would I be if I had no novel-in-progress? Future posts should be examining its development, as well as character profiles from it and other short stories. So far I have finished roughly a quarter of the novel, about 60 pages. It follows the (mis)adventures of Sara the extraterrestrial and Zoey Walker, the girl who can talk to machines.
One of the main themes I wanted to focus on was the existence of the ordinary and the extraordinary in not only the universe(s) but in Sara and Zoey as well. Sara, for being a being of immense power and conviction, is also one of the most vulnerable and emotional charcters in the book, while Zoey is just a regular teenager, she also is blessed/cursed with this ability she got after an experiment on Mars.
But do not be misled. This novel is also a very straight foward good vs evil, with James Bond villains: self-absorbed never-do-wells lusting over the mysterious urn that supposedly contains a creature that feeds off of pain and hate, and it just so happens that Sara's the only one who knows where it is. I hope to combine personal philosophy with cheap suspense to create a beautiful piece of writing.
Ugh, that sounded too pretenious, too "clever-clever." But if I'm satisfied with the final work, if there ever be a final work, then that'll be good enough. Though getting it published would be nice, too.
One of the main themes I wanted to focus on was the existence of the ordinary and the extraordinary in not only the universe(s) but in Sara and Zoey as well. Sara, for being a being of immense power and conviction, is also one of the most vulnerable and emotional charcters in the book, while Zoey is just a regular teenager, she also is blessed/cursed with this ability she got after an experiment on Mars.
But do not be misled. This novel is also a very straight foward good vs evil, with James Bond villains: self-absorbed never-do-wells lusting over the mysterious urn that supposedly contains a creature that feeds off of pain and hate, and it just so happens that Sara's the only one who knows where it is. I hope to combine personal philosophy with cheap suspense to create a beautiful piece of writing.
Ugh, that sounded too pretenious, too "clever-clever." But if I'm satisfied with the final work, if there ever be a final work, then that'll be good enough. Though getting it published would be nice, too.
Sunday, August 22, 2004
Music Review: The Spine
This album contains 16 songs from everyone's favorite duo of John and John, better known as They Might Be Giants. It starts off with the catchy "Experimental Film," already performed on Conan O'Brien and probably college radio stations across the country. I also like "Wearing a Raincoat" containing some classic TMBG lyrics: "Wearing a raincoat is flying around/in a plane made of a raincoat/But when you think of that you hurt your mind/and you'll need a friend to talk you down." Also, there's this one part in "Raincoat" that sounds like "She's an Angel." Coincidence or premediated? Who knows?
"Prevenge" and "I Can't Hide from my Mind" are also clever (or strange) titles common among TMBG albums. "Thunderbird" has that pop-like sound that makes you think it belongs on their Factory Showroom album. "It's Kickin' In," and "Damn Good Times" are guaranteed to get your feet moving and your head banging. "Au Contraire" and "Memo to Human Resources" are both from the delightful single, "Indestructible Object," which was released earlier this year. Though "Memo" seems to be exactly the same version, the album version of "Au Contraire" has a slightly different instrumental arrangement than the one on the single. Which one is better? You decide!
Overall, The Spine offers a lot of fun and light listening BUT TMBG is really not covering any real new ground with this album. Their last album, Mink Car, had combined TMBG's classic lyrics with new, cool sounds, and while The Spine flows better, it does not have Mink Car's ingenuity. There's only about 36 minutes of music on the Spine, so I wonder how much effort they put into it. "Stalk of Wheat" is a song about being out of ideas, but they already wrote a better song about being out of ideas a long time ago. So, John and John, let me say this: while fans of other bands like hearing the same music over and over with new album covers, we TMBG fans expect you to do diverse and crazy things for all of your albums. Make the next one even better, okay? B-
"Prevenge" and "I Can't Hide from my Mind" are also clever (or strange) titles common among TMBG albums. "Thunderbird" has that pop-like sound that makes you think it belongs on their Factory Showroom album. "It's Kickin' In," and "Damn Good Times" are guaranteed to get your feet moving and your head banging. "Au Contraire" and "Memo to Human Resources" are both from the delightful single, "Indestructible Object," which was released earlier this year. Though "Memo" seems to be exactly the same version, the album version of "Au Contraire" has a slightly different instrumental arrangement than the one on the single. Which one is better? You decide!
Overall, The Spine offers a lot of fun and light listening BUT TMBG is really not covering any real new ground with this album. Their last album, Mink Car, had combined TMBG's classic lyrics with new, cool sounds, and while The Spine flows better, it does not have Mink Car's ingenuity. There's only about 36 minutes of music on the Spine, so I wonder how much effort they put into it. "Stalk of Wheat" is a song about being out of ideas, but they already wrote a better song about being out of ideas a long time ago. So, John and John, let me say this: while fans of other bands like hearing the same music over and over with new album covers, we TMBG fans expect you to do diverse and crazy things for all of your albums. Make the next one even better, okay? B-
Saturday, August 21, 2004
Welcome Everyone!
This is truly a Brave New World as yet another blog has entered the scene! Here at Criticism and Creativity, you'll be enjoying my wit and intellect as I discuss the philosophy of the social world: books, comic books, music, and movies of all sorts and genres. And since I'm a writer, I'll also be talking about the creative process, the hows and whys of writing. There'll be postings on things like character profiles and story updates from projects I'm working on. Is it finished yet? Did it get published? All of these urgent questions will be answered and more. All you have to do is tune in.
Subscribe to:
Posts (Atom)